Deceptively simple and yet profoundly moving, The Bicycle Thief has the kind of power that one rarely finds in movies these days.
The Bicycle Thief (1948)
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Reviews Counted:41
Fresh:39
Rotten:2
Average Rating:8.8/10
Runtime: 90 mins
Genre: Foreign Films
Synopsis: The recipient of international acclaim, Vittorio de Sica's Italian Neorealist masterwork, THE BICYCLE THIEF, is a treasure of world cinema. After nearly two years of unemployment, Antonio (Lamberto... The recipient of international acclaim, Vittorio de Sica's Italian Neorealist masterwork, THE BICYCLE THIEF, is a treasure of world cinema. After nearly two years of unemployment, Antonio (Lamberto Maggiorani) finally finds work posting bills. But he needs a bicycle to do the job. Unfortunately, he was forced to pawn his own bicycle long ago. In a humbling, tragic scene, Antonio exchanges his family's linen for his bicycle. But when the bike is stolen on his first day of work, he must comb the streets of Rome in search of the bike: his family's only means to survival. After three days of hunting, Antonio and his son, Bruno (Enzo Staiola), find the thief (Vittorio Antonucci)--but without witnesses or evidence, the police are unwilling to help Antonio. Hopeless, Antonio and Bruno wander aimlessly through Rome, landing outside of a soccer stadium where hundreds of bicycles are parked. His will broken, Antonio attempts to steal a bike but is caught in the act. Thematically, Vittoria de Sica's THE BICYCLE THIEF details an everyman story of loss of innocence in the face of a destitute society, while the film's poignant acting and directing creates an individual and heart-wrenching tale of one man's struggle to feed his family. The film is often considered one of the masterpieces of 20th century cinema. [More]
Starring: Enzo Staiola, Lamberto Maggiorani, Lianella Carell, Gino Saltamerenda
Starring: Enzo Staiola, Lamberto Maggiorani, Lianella Carell, Gino Saltamerenda, Vittorio Antonucci, Giulio Chiari
Director: Vittorio De Sica
Director: Vittorio De Sica
Screenwriter: Vittorio De Sica, Cesare Zavattini
Composer: Alessandro Cicognini
Screenwriter: Suso Cecchi D'Amico
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Release:
Jul 22, 1998
Reviews for The Bicycle Thief
One of the great films that truly deserves to be called a timeless classic, The Bicycle Thief is a thing of simple beauty.
This is poverty's authentic sting: banal and horrible loss of dignity. Bicycle Thieves is a brilliant, tactlessly real work of art.
Not in the top 10 or 15 or 100 films ever made... But it is undeniably good, very good.
there are few characters that are more fully realized and deeply felt as Ricci
Bicycle Thieves is a postwar classic from the school of Italian Neo-Realism.
The lasting soul of Thieves’ pure cinema poverty-parable finally nestles in its deeply affecting father-son pairing in which seven-year-old Staiola dazzles as one of cinema’s wonder-kids.
Again the Italians have sent us a brilliant and devastating film in Vittorio De Sica's rueful drama of modern city life, The Bicycle Thief.
The Bicycle Thief is so well-entrenched as an official masterpiece that it is a little startling to visit it again after many years and realize that it is still alive and has strength and freshness.
The Bicycle Thief is one of those wonderful titles whose power does not sink in until the film is over.
A defining landmark of Italian neorealism and a haunting fable of want and desperation an ideal marriage of form and meaning. Even the title is indispensable.
Scarcely a story found in the street, The Bicycle Thief is an allegory at once timeless and topical.
Devastating. Brilliant. Perhaps the most influential film of all time.
De Sica’s neo-realist lodestone may have retained its vitality over the decades, but whatever sense of anger it whipped up in the disgruntled masses of postwar Rome feels lost to the excessively syrupy score.
Their humanity glows, even through their misery, and their despair becomes ours.
... a plainspoken, poetic work that is likely to surprise you with its virtues no matter how often you've heard it called a "great film."
a simple heartfelt story of a man who only wants to provide for his wife and child
One of the great, perfect crystalisations of a specific point in time into a particular film, this is one of the greatest cinematic experiences ever.
It’s a title you simply must watch, not necessarily for the truths it packs but rather for the bombed-out buildings of postwar Italy, peripheral details that director Vittorio De Sica insisted on.
The story was told in the form of an allegory meant to pull at your heartstrings, as it was not possible to be anything but sympathetic with the victimized father.
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