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Biggie and Tupac (2002)
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Reviews Counted:15
Fresh:10
Rotten:5
Average Rating:5.9/10
Consensus: This is a compelling documentary, even for those who aren't fans of rap.
Theatrical Release:Sep 27, 2002 Limited
Synopsis:
Hot on the trail of another controversial and provocative subject, award-winning documentary filmmaker Nick Broomfield (Kurt & Courtney; Heidi Fleiss: Hollywood Madam; Aileen Wournos: The Selling...
Hot on the trail of another controversial and provocative subject, award-winning documentary filmmaker Nick Broomfield (Kurt & Courtney; Heidi Fleiss: Hollywood Madam; Aileen Wournos: The Selling of a Serial Killer) chronicles the still unsolved murders of rap superstars Christopher Wallace (aka Biggie Smalls, the Notorious B.I.G.) and Tupac Shakur.
A hit at this year's Sundance Film Festival, Biggie & Tupac is the story of two great friends who had a falling out and became deadly enemies. Their murders were long explained as being the result of the rivalry that had grown between them, allegedly a result of the ongoing East Coast/West Coast rivalry in hip hop. But now, at the fifth anniversary of their deaths, Broomfield reveals startling evidence to suggest the blame lies elsewhere.
Broomfield's exploration ranges from Los Angeles to New York, documenting the workings of corrupt police officers, the insistent calls for justice from Wallace's loving mother, the eyewitnesses to the murders, never seen before evidence and both veiled and blatant threats from Suge Knight. Biggie & Tupac again demonstrates Broomfield's uncanny ability to get people to talk to him on camera, including a rare prison interview with Suge Knight, along with his trademark wry commentary. Considering the revelations he uncovers, this documentary is bold even for Broomfield.
Starring: Russell Poole, Voletta Wallace, Nick Broomfield
Starring: Russell Poole, Voletta Wallace, Nick Broomfield
Director: Nick Broomfield
Director: Nick Broomfield
Producer: Marion "Suge" Knight, Michele D'Acosta, Nick Broomfield
Studio: Lions Gate Films
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Reviews for Biggie and Tupac
Compulsively watchable and endlessly inventive as it transforms Broomfield's limited materials into a compelling argument.
You don't need to know your Ice-T's from your Cool-J's to realize that as far as these shootings are concerned, something is rotten in the state of California.
Broomfield's style of journalism is hardly journalism at all, and even those with an avid interest in the subject will grow impatient.
Most of the information has already appeared in one forum or another and, no matter how Broomfield dresses it up, it tends to speculation, conspiracy theories or, at best, circumstantial evidence.
Bristles with the sort of passion and bold purpose so often lacking in contemporary nonfiction filmmaking.
Nothing sticks, really, except a lingering creepiness one feels from being dragged through a sad, sordid universe of guns, drugs, avarice and damaged dreams.
[Broomfield] uncovers a story powerful enough to leave the screen sizzling with intrigue.
Nick Broomfield's dishonest film Biggie and Tupac solves nothing about the rap world's most notorious murders.
Whether or not you buy Mr. Broomfield's findings, the film acquires an undeniable entertainment value as the slight, pale Mr. Broomfield continues to force himself on people and into situations that would make lesser men run for cover.
The footage of the rappers at play and the prison interview with Suge Knight are just two of the elements that will grab you.
A first-person whodunit in which the filmmaker casts himself as a seedy gumshoe poking around a hallucinatory world in which poverty, crime, and drugs mix with fantastic wealth and grandiose scenarios lifted from The Godfather and Scarface.
In exploring their deaths, Broomfield sheds light on his subjects' lives and art, reminding us why their loss still reverberates and their albums still sell in the millions.
In general, the film is a series of Broomfield popping up Michael Moore-style, unannounced, and drilling the unsuspecting subjects with invasive and blunt questions.
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