Opening

72% World War Z Jun 21
81% Monsters University Jun 21
63% The Bling Ring Jun 21
58% Maniac Jun 21
100% A Hijacking Jun 21
66% Unfinished Song Jun 21
100% The Attack Jun 21
—— The Haunting of Helena Jun 21

Top Box Office

56% Man of Steel $116.6M
85% This Is the End $20.7M
50% Now You See Me $11.0M
71% Fast & Furious 6 $9.6M
38% The Purge $8.3M
34% The Internship $7.1M
62% Epic $6.3M
87% Star Trek Into Darkness $6.3M
11% After Earth $4.1M
78% Iron Man 3 $3.0M

Coming Soon

—— How To Make Money Selling Drugs Jun 26
—— White House Down Jun 28
—— The Heat Jun 28
56% I'm So Excited! Jun 28

Biutiful Reviews

Page 1 of 7
Rich Heldenfels
Akron Beacon Journal

Excellent performance by Javier Bardem lifts a movie that often drags.

Full Review Source: Akron Beacon Journal | Original Score: 2.5/4

May 24, 2011
Aaron Yap
Flicks.co.nz

Unwatchable without Javier Bardem's affecting, devastatingly committed performance, Biutiful plunges the viewer into a shapeless, sprawling character study that functions as nothing less than a punishing reminder of how rotten the universe can be.

Full Review Source: Flicks.co.nz | Original Score: 2/5

June 21, 2011
Ignatiy Vishnevetsky
Ebert Presents At The Movies

Biutiful is mushy and self-important and the subplots Inarritu adds to it only dilute the film further, while also pushing it's running time to a watery two and a half hours.

Full Review Source: Ebert Presents At The Movies

January 31, 2011

All that useless beauty and depth of emotion floats aimlessly in Iñárritu's needlessly over-complicated, self-consciously tricky narrative.

Full Review Source: DCist | Original Score: 4.1/10

January 30, 2011
Josh Bell
Las Vegas Weekly

Gonzalez Inarritu spends two and a half hours torturing his protagonist, but by the end it's the audience that feels defeated.

Full Review Source: Las Vegas Weekly | Original Score: 1.5/5

January 27, 2011
Michael Phillips
Chicago Tribune
Top Critic IconTop Critic

Am I the only one who sensed trouble when the painfully methodical spacing and timing of the opening titles suggested the heaviest, most medicinal tragedy of this or any other year?

Full Review Source: Chicago Tribune | Original Score: 2/4

January 27, 2011
William Goss
Orlando Weekly

Iñárritu's fourth film is only kept from the verge of self-parody by Bardem's soulful, understated 
performance.

Full Review Source: Orlando Weekly

January 26, 2011
Kelly Vance
East Bay Express

We need a break from Iñárritu's needlessly fractured, misery-and-mishap-laden parables of hectic modern life in a shrinking world full of desperate people.

Full Review Source: East Bay Express

January 26, 2011
Mike Scott
Times-Picayune

On its way to profundity, Inarritu's film ends up getting tangled in its own histrionics.

Full Review Source: Times-Picayune | Original Score: 2/4

February 4, 2011
Fernando F. Croce
Slant Magazine

Bardem is superb, but this is a slog, lurching despite high-pressure editing and utterly oblivious to how the harsh-poetic compassion from Amores Perros has hardened into a rather gloating hunger for suffering.

Full Review Source: Slant Magazine

September 10, 2010
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

All in all, it feels like director/co-screenwriter Alejandro Gonzalez Inarritu is daring us to say, "Uncle," and I was there within about 10 minutes.

Full Review Source: St. Paul Pioneer Press

February 4, 2011
Sophie Ivan
Film4

Inarritu, not content to just lay it on thick, smothers his canvas with self-important gloom.

Full Review Source: Film4 | Original Score: 2.5/5

January 31, 2011
Alissa Wilkinson
Christianity Today

The film is almost too broken and painful for most audiences to be able to experience Uxbal's pain. It's all here, and laid on a bit too thick.

Full Review Source: Christianity Today | Original Score: 2/4

February 25, 2011
Nick Schager
Lessons of Darkness

A punishingly contrived and deterministic saga.

Full Review Source: Lessons of Darkness | Original Score: C

December 27, 2010
Andrew L. Urban
Urban Cinefile

The film seems ponderous, weighed down and elongated by an overactive poetic sensibility

Full Review Source: Urban Cinefile

March 21, 2011
David Stratton
At the Movies (Australia)

The film, whatever its intentions, winds up just being deeply depressing and, at nearly 2 1/2 hours, it's a very long slog indeed to the finish.

Full Review Source: At the Movies (Australia) | Original Score: 2/5

March 23, 2011
Sean Gandert
Paste Magazine

The film just doesn't come together, and all the well-meaning social criticism and award-winning emoting from Bardem can't change that fact.

Full Review Source: Paste Magazine | Original Score: 4.3/10

January 4, 2011
Jim Schembri
The Age (Australia)

Javier Bardem was Oscar-nominated for his performance and the film got a nod for best foreign-language film, but don't let that fool you; it's a stodgy, self-important slog.

Full Review Source: The Age (Australia) | Original Score: 1/5

March 31, 2011
Brian Orndorf
BrianOrndorf.com

Picture spins about, hitting a few sublimely quivering beats of frustration and confession before it loses itself to pretension and trivial displays of surrealism. There's a remarkable film in here somewhere.

Full Review Source: BrianOrndorf.com | Original Score: C+

January 26, 2011
Tim Brayton
Antagony & Ecstasy

Piling one garish note on top of the next... Biutiful might have been tolerable if it had been played for black comedy, or at least soap operatic excess.

Full Review Source: Antagony & Ecstasy | Original Score: 4/10

February 2, 2011
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