As a display terminal for the wizardry of Designers Lawrence G. Paull, Douglas Trumbull and Syd Mead, the movie delivers.
Blade Runner (1982)
Tomatometer
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Reviews Counted:47
Fresh:43
Rotten:4
Average Rating:8.1/10
Consensus: Misunderstood when it first hit theaters, the influence of Ridley Scott's mysterious, noir-influenced Blade Runner has deepened with time. A visually remarkable, achingly human sci-fi masterpiece.
Runtime: 2 hrs 2 mins
Genre: Science-Fiction/Fantasy
Synopsis: Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a... Director Ridley Scott's hauntingly prescient vision of the not-too-distant future stars Harrison Ford as Rick Deckard, a retired police assassin, or "blade runner." The Los Angeles of 2019 is a dark, polluted, overcrowded dystopia dominated by cloud-piercing buildings and looming neon billboards, the air dense with acid rain and flying traffic. World-weary Deckard has been called out of retirement to liquidate four escaped "replicants"--genetically derived androids of great strength, intelligence, and nearly-human emotion who serve as slaves and prostitutes in the off-planet colonies. Led by Roy Batty (Rutger Hauer), they've come to Los Angeles to confront their designer, Eldon Tyrell (Joe Turkel), with their unhappiness about the brevity of their four-year life span. In the course of his search, Deckard becomes romantically entwined with Tyrell's lovely assistant, Rachael (Sean Young), and must eventually confront Batty in an unforgettable rain-soaked sequence. A highly influential fusion of the science fiction and noir genres based on the novel DO ANDROIDS DREAM OF ELECTRIC SHEEP? by Philip K. Dick, this postmodern film boasts astonishingly rich art direction, juxtaposing ingenious technological gadgetry with yellowing photographs and fetishistic objets d'art as it touches on questions of time, memory, identity, and mortality. Different from Scott's 1992 director's cut, this widely released edition of the film, which features Ford's narration and an ending culled from footage of Stanley Kubrick's THE SHINING, remains the most well known version of this stunning cinematic landmark. [More]
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos, M. Emmet Walsh, William Sanderson, Brion James, Joseph Turkel, Joanna Cassidy, James Hong, Kevin Thompson, Kao Thompson
Director: Ridley Scott
Director: Ridley Scott
Story: Philip K. Dick
Screenwriter: David Peoples, Hampton Fancher
Producer: Michael Deeley
Composer: Vangelis
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Reviews for Blade Runner
From the opening shot of a Los Angeles cityscape at night in the year 2019, it is clear that Scott has conjured up something special.
Though it's a triumph of visual futurism and an ornament to sci-fi cinema as well as to cinema in general, I resist it on some level.
Undoubtedly an impressive achievement in set design and visuals, Blade Runner otherwise possesses few elements designed to effectively capture (and subsequently hold) the viewer's interest...
This definitive print should be the last little push that "Blade Runner" needs to complete its 25-year journey from box office failure to cult favorite to full-blown classic.
This is a movie that absolutely demands to be seen and heard on the big screen.
Few would call this a classic because of coherence of story. As a prime example of special effects and production design, however, it's notable.
This is the tenth final version of the Blade Runner. This version is the best. It goes snap . . .snap . . . snap.
These days, it's almost impossible to find a gritty science fiction motion picture that doesn't owe at least a small debt to Blade Runner's visual style.
A stylistically dazzling film noir set in November 2019 in a brilliantly imagined Los Angeles marked by both technological wonders and horrendous squalor.
One of the most visually influential science fiction films ever made.
The most remarkably and densely imagined and visualized SF film since 2001: A Space Odyssey, a hauntingly erotic meditation on the difference between the human and the nonhuman.
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