Blade Runner has only gotten better with time. Do yourself a favor and pass over anything new in theaters and go for this old classic, it still has the power to dazzle and amaze.
Blade Runner - The Final Cut (1982)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:36
Fresh:34
Rotten:2
Average Rating:8.7/10
Runtime: 2 hrs 18 mins
Genre: Science-Fiction/Fantasy
Box Office: $1,209,101
Synopsis: Twenty-five years after the initial release of BLADE RUNNER, director Ridley Scott uses archival footage to re-create his original vision for the sci-fi classic. Based on a story by Philip K. Dick,... Twenty-five years after the initial release of BLADE RUNNER, director Ridley Scott uses archival footage to re-create his original vision for the sci-fi classic. Based on a story by Philip K. Dick, the film is set in Los Angeles in 2019. Earth has become a polluted and miserable dystopia, and many people have fled to live "Off World" on other planets. This dreary vision of the future features replicants: lifelike robots built as slaves for human use. When a replicant escapes his owner, a "blade runner" is called in to hunt him down and kill him. Enter Harrison Ford as the retired blade runner Rick Deckard. He is pulled out of retirement to help catch four escaped replicants: Batty (Rutger Hauer), Leon (Brion James), Pris (Darryl Hannah), and Zhora (Joanna Cassidy.) Despite his distaste for the job, Deckard is soon hot on their heels, tracking them down one by one through the over-crowded, crumbling city streets. In the midst of his hunt, Deckard becomes involved with a beautiful replicant named Rachael (Sean Young). Rachel has fled her owner, and Deckard rightfully should kill her. However, the two fall in love, and after some startling revelations, they are both soon on the run from the very authorities that once employed Deckard. This final cut is a bleaker, more cynical version of an already dark film, which might explain why the studio insisted on a softer, more optimistic ending when it was first released. While some superfans might take issue with some of the revelatory new twists, they will no doubt delight in the quality of the digital restoration. The special effects were already impressive for 1982, but these new touch-ups give them a look that appears just as sharp and imaginative as the sci-fi films of today. [More]
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos, M. Emmet Walsh, William Sanderson, Brion James
Director: Ridley Scott
Director: Ridley Scott
Story: Philip K. Dick
Screenwriter: Hampton Fancher, David Peoples
Producer: Michael Deeley
Get This Movie
Reviews for Blade Runner - The Final Cut
The changes are minor, but the overall effect is a much cleaner, more logical, and more organically flowing movie.
It's an overwhelming, immersive experience, a total creation of a possible future so complete that you don't need exposition to know how we got from here to there (2019).
Blade Runner, in all its various, shimmering incarnations, is deathless.
Open the champagne: Blade Runner is finally just the way Ridley Scott wanted it. And it only took 25 years.
The film's noisy sound mix and congested pictorialism--as if it had been directed by a crazed, postmodern Von Sternberg--is a direct corollary to its moral ambiguity and sense of climactic human expiration (technological and social).
The new version helped me see the soul because, ironically, this rendering is so much brighter. Noir or not, a film you can’t see properly is a film you can’t fully appreciate.
This is a seminal film, building on older classics like Metropolis or Things to Come, but establishing a pervasive view of the future that has influenced science fiction films ever since.
Projected in digital format with booming, all-encompassing sound, Blade Runner: The Final Cut is a marvel of technology and dedication. As a film it's still the same dead-eyed pretty girl who looks good on your arm but is a real bore over dinner.
Mainly, the re-release is a good excuse to indulge once more in Scott’s iconic and highly influential vision of a future Los Angeles choked by rain, neon and cheap pleasure palaces.
Probably close to being on par with Fritz Lang's Metropolis in terms of grandeur -- although of a stunningly different and far more unsettling kind.
Blade Runner, which does not look one bit dated, envelops us so completely in its off-kilter, near-future world.
There are no plot-altering additions or subtractions. But the digitally spruced print is gorgeous to look at and listen to.
Forget coherent story or developed characters. The picture was created for special effects and production design, succeeding handily in that regard.
For all its armor of brutalizing urban dystopia (and, boy, is there a lot of that -- you could fund a war on terror with the fog- and rain-machine budgets alone), Blade Runner has a gooey center.
If the total cinema package does not hit one over the head, it nevertheless provides more food for thought this time around.
'I've seen things you people wouldn't believe,' declares one of the androids late in the going. And if you've seen this film, you can make the same claim.
Latest News for Blade Runner - The Final Cut
May 12, 2008:
Indiana Jonesin': The Best of Harrison Ford
We count down Harrison Ford's best-reviewed films outside of the Indiana Jones franchise and the memorable characters that he played in each celebrated film. More...
December 18, 2007:
Ridley Scott on Blade Runner: The Final Cut: The RT Interview
With the DVD release of Blade Runner: The Final Cut, Ridley Scott has once again revisited his masterpiece, subtly reframing one of the most hotly-discussed films of all... More...
December 17, 2007:
RT on DVD: The Simpsons, Stardust, and More!
This week the shelves are packed, and just in time for the holidays! Check out the long-awaited big-screen debut of Springfield's finest (The Simpsons Movie), Matthew Vaughn's... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Around The Network
- Blade Runner - The Final Cut at Rotten Tomatoes
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


