Much of the film's erotic charge and moral and ideological ambiguity stem from the fact that these characters are very nearly the only ones we care about.
Blade Runner - The Final Cut (1982)
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Reviews Counted:36
Fresh:34
Rotten:2
Average Rating:8.7/10
Runtime: 2 hrs 18 mins
Genre: Science-Fiction/Fantasy
Box Office: $1,209,101
Synopsis: Twenty-five years after the initial release of BLADE RUNNER, director Ridley Scott uses archival footage to re-create his original vision for the sci-fi classic. Based on a story by Philip K. Dick,... Twenty-five years after the initial release of BLADE RUNNER, director Ridley Scott uses archival footage to re-create his original vision for the sci-fi classic. Based on a story by Philip K. Dick, the film is set in Los Angeles in 2019. Earth has become a polluted and miserable dystopia, and many people have fled to live "Off World" on other planets. This dreary vision of the future features replicants: lifelike robots built as slaves for human use. When a replicant escapes his owner, a "blade runner" is called in to hunt him down and kill him. Enter Harrison Ford as the retired blade runner Rick Deckard. He is pulled out of retirement to help catch four escaped replicants: Batty (Rutger Hauer), Leon (Brion James), Pris (Darryl Hannah), and Zhora (Joanna Cassidy.) Despite his distaste for the job, Deckard is soon hot on their heels, tracking them down one by one through the over-crowded, crumbling city streets. In the midst of his hunt, Deckard becomes involved with a beautiful replicant named Rachael (Sean Young). Rachel has fled her owner, and Deckard rightfully should kill her. However, the two fall in love, and after some startling revelations, they are both soon on the run from the very authorities that once employed Deckard. This final cut is a bleaker, more cynical version of an already dark film, which might explain why the studio insisted on a softer, more optimistic ending when it was first released. While some superfans might take issue with some of the revelatory new twists, they will no doubt delight in the quality of the digital restoration. The special effects were already impressive for 1982, but these new touch-ups give them a look that appears just as sharp and imaginative as the sci-fi films of today. [More]
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah
Starring: Harrison Ford, Rutger Hauer, Sean Young, Daryl Hannah, Edward James Olmos, M. Emmet Walsh, William Sanderson, Brion James
Director: Ridley Scott
Director: Ridley Scott
Story: Philip K. Dick
Screenwriter: Hampton Fancher, David Peoples
Producer: Michael Deeley
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Reviews for Blade Runner - The Final Cut
This is a seminal film, building on older classics like Metropolis or Things to Come, but establishing a pervasive view of the future that has influenced science fiction films ever since.
Forget coherent story or developed characters. The picture was created for special effects and production design, succeeding handily in that regard.
"Blade Runner" is no mere museum piece%u2013it continues to live and breathe in a manner unlike the vast majority of contemporary films, regardless of genre, and this is why it continues to resonate just as strongly as it did back in 1982.
Ridley Scott created a triumph of retro-futuristic design over narrative or character richness.
'I've seen things you people wouldn't believe,' declares one of the androids late in the going. And if you've seen this film, you can make the same claim.
Blade Runner's ability to keep us enthralled, and keep us talking, 25 years later is the sure sign of a classic.
The macro eye closeup that opens this spectacular film (newly scrubbed and polished) is a perfect statement for the movie, human but abstract: unconnected to a face.
The film's noisy sound mix and congested pictorialism--as if it had been directed by a crazed, postmodern Von Sternberg--is a direct corollary to its moral ambiguity and sense of climactic human expiration (technological and social).
Beg, borrow or steal a ticket to see it on the biggest screen you can find.
The opportunity to see one of the milestone visual achievements in a big hall with a giant screen is not to be missed. And even if you saw Blade Runner in a theater in 1982, this will be an entirely new experience.
Blade Runner is so good, it doesn't even have to be changed. The dialogue is so fascinating you can always hear it.
Mainly, the re-release is a good excuse to indulge once more in Scott’s iconic and highly influential vision of a future Los Angeles choked by rain, neon and cheap pleasure palaces.
Projected in digital format with booming, all-encompassing sound, Blade Runner: The Final Cut is a marvel of technology and dedication. As a film it's still the same dead-eyed pretty girl who looks good on your arm but is a real bore over dinner.
If the total cinema package does not hit one over the head, it nevertheless provides more food for thought this time around.
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