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Blessed (2009)

Blessed

TOMATOMETER

Average Rating: 6.8/10
Reviews Counted: 13
Fresh: 11
Rotten: 2

Critics Consensus: No consensus yet.

No Top Critics Tomatometer score yet...

Average Rating: N/A
Reviews Counted: 1
Fresh: 0
Rotten: 1

AUDIENCE SCORE

Average Rating: 3.7/5
User Ratings: 662

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Movie Info

The actions of a handful of troubled young people are seen from two different perspectives in this drama from Australian filmmaker Ana Kokkinos. Daniel (Harrison Gilbertson) has a combative relationship with his parents and acts out by stealing; when challenged by his mother, he breaks into a neighbor's house and accidentally causes the death of an elderly woman. Orton (Reef Ireland) has run away from home and is stranded in the big city; his younger sister Stacey (Eva Lazzaro) finds him living … More

Rating:
R
Genre:
Drama
Directed By:
Written By:
Andrew Bovell , Christos Tsiolkas , Melissa Reeves , Patricia Cornelius
In Theaters:
On DVD:
Aug 11, 2009
Runtime:


Cast


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Critic Reviews for Blessed

All Critics (13) | Top Critics (1) | Fresh (11) | Rotten (2) | DVD (1)

Some fine talent manages to rise above flimsy scenarios in this multi-thread expose of low-rent Melbourne mothering and its bitter legacy. Surely the whole truth would call for some rays of light in these shabby lives?

Full Review… | September 11, 2009
MovieTime, ABC Radio National
Top Critic

Unforgiving in its shrewd relentlessness, the cast is flawless as is the direction.

Full Review… | October 31, 2012
indieWIRE

A tad bloated and uncompromisingly bleak, Blessed is buoyed by its impressive ensemble cast.

Full Review… | October 29, 2011
Matt's Movie Reviews

Blessed is uneven and overall not as good as Kokkinos's other films but it nevertheless contains some of her best work to date.

Full Review… | March 21, 2010
Cinema Autopsy

A slow-burning, emotionally haunting film that thrusts the bond between mother and child under a microscope.

Full Review… | October 25, 2009
Eye for Film

Blessed is a rich, unsettling vision of the mother-child relationship, By the end, it is clear that things are not always as they seem. Sometimes it's a reversal of expectations, sometimes an unpredictable consequence.

Full Review… | September 11, 2009
The Age (Australia)

Blessed's relentless melodrama means the situations feel staged and stereotypical and both the mothers and children for the most part become painful, charmless annoyances who we want to go home to avoid.

Full Review… | September 10, 2009
Unknown2

Kokkinos is never backward in confronting her audience, but she's also a sensitive portrayer of emotions that are basic to us all and with this marvellous film she has created her best work so far.

Full Review… | September 9, 2009
At the Movies (Australia)

Blessed is a powerful and truthful movie experience that lingers long after the end.

Full Review… | September 9, 2009
Courier Mail (Australia)

Skilfully woven together, the separate tales that eventually intersect portray a touching look at the relationship between mothers and children.

Full Review… | September 8, 2009
FILMINK (Australia)

Brilliant performances and Kokkinos' assured direction result in another strong local production.

Full Review… | September 6, 2009
Empire Magazine Australasia

Blessed with cinematic ambition, Ana Kokkinos and her writing collaborators have forged a striking film out of pain and dysfunction, yet managing to pull out a serene sense of closure in the final moments.

Full Review… | September 2, 2009
Urban Cinefile

Ana Kokkinos has made an exquisitely and brutally powerful film about the indestructible but fragile thread that connects mothers and children.

Full Review… | September 2, 2009
Urban Cinefile

Audience Reviews for Blessed

½

Should you see this achingly performed, firmly directed Australian drama about mothers and their offspring experiencing 24 hours of, largely, bad stuff? Yes, if your tolerance for sombre, sobering close-to-the-bone local cinema hasn't fractured. No, if you're just going to give it all that about how the interweaving, multi-character observation can be simplistically gambling, substance abuse, racism and homelessness. Seeing events first from the children's perspective, before getting the maternal view.
Based on the play Who's Afraid of the Working Class?, the stage origins are invisible. It's a fine script, director Ann Kokkinos is a master storyteller, and the performances are phenomenal. Deborra-Lee Furness brings her steady inner energy to her motherly role, Miranda Otto lives inside her character's head, and the young members of the cast all hold their own. It's unfair to play favourites, but Frances O'Connor's Rhonda - the runaway siblings' mother - is exceptional. At first look, the pregnant, smoking, tattooed Rhonda is a cliche, but O'Connor quickly makes her real.

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deano
Dean McKenna

Super Reviewer

½

Well, it's hard to find anything blessed about the lives in this Australian drama. The writers have woven a whole bunch of stories together from children and mothers viewpoints and every one of those stories is adding to the hard and dark atmosphere of the movie. Social study which is depressing but truethful... Very good acting and the directing improved in the second part of the film... Typical Aussie movie!

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PantaOz
Panta Oz

Super Reviewer

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