Blind Alley (1939)

Blind Alley





Critic Consensus: No consensus yet.

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Movie Info

Blind Alley, directed by Charles Vidor is a chilling psychological drama in the film-noir tradition reminiscent of the fine melodrama The Desperate Hours. Hal Wilson (Chester Morris) is an escaped killer who hides out in the home of noted psychologist Dr. Shelby (Ralph Bellamy). While Wilson's gang holds Shelby's family and servants hostage, the pipe-smoking mental doctor calmly tries to discover the reasons for Wilson's murderous proclivities. As gun moll Mary (Ann Dvorak) covers Shelby, Wilson … More

Rating: Unrated
Genre: Drama, Classics
Directed By:
Written By: Albert Duffy, Michael Blankfort, Philip MacDonald, Lewis Meltzer
In Theaters:
Columbia Pictures


as Hal Wilson

as Dr. Anthony Shelby

as Mary

as Linda Curtis

as George Curtis

as Doris Shelby

as Doris Shelby

as Dick Holbrook

as Agnes

as Fred Landis

as Harriet

as State trooper

as Holmes the student
Show More Cast

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Critic Reviews for Blind Alley

All Critics (2) | Top Critics (1)

Full Review… | February 23, 2012
Top Critic

February 27, 2013

Audience Reviews for Blind Alley

one early cinema piece toys with pop-freudianism, and it's like the filmmaker rips off "the interpretations of dreams" and put a crime story as example for illustrations, as if the audience then needs to be re-educated with some basic terms for psychoanalysis (perhaps still need that?)

a trigger-happy criminal takes hostage of a psychoanalyst's household and impulsively murders several men in fits of un-controllable rages, and he suffers from paranoaic nightmares and headache, so the doctor says he needs to confess to relieve his pain..then the criminal does. it turns out that he accidentally gets his father killed and the scenes in past memories get repressed and sublimated into other metaphoric objects in his dreams that continue to torment him with guilt. the result of diagnosis is: he's trigger-happy when he's provoked because he feels the need to eliminate the haunting vision of his dad (metaphoric patricide) everytime he gets upstaged and threatened, when he feels insecured about his power. but when doctor cures off his symton, his compulsively repeated nightmares, he also kills off the criminal's survival instinct. in the end, he loses his trigger-happy quickness and is unable to shoot back when the police arrives to arrest him...he dies.

the same story gets adapted again in 40s with william holden as the title role. but i still think the 30s version superior. and ann dvorak, paul muni's sister in scarface, plays the criminal's moll, another gritty performance from this good actress so full of nervous energies and hard-boiled street-wise one-liners.

Veronique Kwak

Super Reviewer

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