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The Blind Swordsman: Zatoichi/Sonatine (2004)
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Reviews Counted:109
Fresh:95
Rotten:14
Average Rating:7.2/10
Consensus: A violent, but fun samurai pic.
Rated: R [See Full Rating] for strong stylized bloody violence
Runtime: 1 hr 56 mins
Genre: Action/Adventure
Theatrical Release:Jul 23, 2004 Limited
Box Office: $584,553
Synopsis: With ZATOICHI, Takeshi Kitano, best known for such gangster films as VIOLENT COP, BOILING POINT, and BROTHER, makes his first period drama, an updating of the classic Japanese character portrayed... With ZATOICHI, Takeshi Kitano, best known for such gangster films as VIOLENT COP, BOILING POINT, and BROTHER, makes his first period drama, an updating of the classic Japanese character portrayed by Shintaro Katsu in movies and television from 1962 to 1989. Zatoichi is a blind samurai who shuffles from town to town, righting wrongs with his remarkable sword hidden within his cane. He is also a masseuse who likes to gamble. Kitano serves as director, writer, co-editor, and star of the film, playing the protagonist under his acting name, Beat Takeshi. This version of Zatoichi, based on the stories of Kan Shimozawa, is more violent than the earlier series, as Kitano strives to make it more realistic. He has also infused a clever sense of humor, while cinematographer Katsumi Yanagishima adds beautiful depth of field to many scenes. When Zatoichi arrives in a small town, he unknowingly walks into a classic tale of revenge, as two women plot to kill the men who murdered their family. As Zatoichi becomes more involved, an eventual showdown with young samurai Hattori (Tadanobu Asano, who excelled in Takashi Miike's very violent ICHI THE KILLER) is inevitable. ZATOICHI is thrilling filmmaking at its best, an endlessly entertaining samurai epic from a man who fully understands the genre and is not afraid to take it to the next level. SONATINE tells the story of gang boss Murakawa (Takeshi Kitano), who decides to consolidate his power as he approaches middle age. When his boss responds by assigning him to a peacekeeping mission in a town where a couple of the gang's provincial chapters are coming to blows, Murakawa is naturally suspicious. Is he being kicked upstairs--or kicked out? When he and his crew become the targets of a bloody ambush, the conclusion seems inescapable. A brutal indictment of the soul-crushing yakuza lifestyle. [More]
Starring: Beat Takeshi, Tadanobu Asano, Michiyo Ogusu, Yui Natsukawa
Starring: Beat Takeshi, Tadanobu Asano, Michiyo Ogusu, Yui Natsukawa, Guadalcanal Taka, Daigoro Tachibana, Yuko Daike, Ittoku Kishibe, Saburo Ishikura, Akira Emoto
Director: Takeshi Kitano
Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Story: Kan Shimozawa
Producer: Tsunehisa Saito, Masayuki Mori
Composer: Keiichi Suzuki
Studio: Miramax Films
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Release:
Nov 9, 2004
Reviews for The Blind Swordsman: Zatoichi/Sonatine
It often feels like many episodes of a serial compressed into a single feature. This may, in the end, be easier to digest than 25 sequels and a hundred hours of television. It may also whet your appetite for more.
The violence is thrilling, the blood splatter prodigious and painterly. It's also exaggerated, allowing viewers to revel in the bloodbath without being revolted by it.
A rambunctiously entertaining, eccentric combination of superfast swordplay, knockabout humour and stylish surrealism.
Seen now, sans all the hype and hoopla)...we can gauge Kitano's production for what it truly is - a compelling and quite complex bit of fractured folklore.
For those unfamiliar with such films, Zatoichi might be a little off-putting. But given a chance, the movie can be pretty entertaining.
Stone-faced Japanese filmmaker Takeshi Kitano blurs the line between insanity and genius with The Blind Swordsman: Zatoichi.
For the most part, a faithful recreation of the Blind Swordsman's mystique. Old fans should not be dissapointed, and new fans should seek out the source material post haste.
Hyper-violent yet emotionally powerful, The Blind Swordsman: Zatoichi is the rare exploitation film that values relationships over bloodshed. But the bloodshed is still pretty awesome.
Ah, so I can't see, I still carry a big stick...There are a lot of film genres you could lump this with because it's got them all.
There's something impressive about a film that manages to acknowledge the intrinsic lunacy of its concept without yet depriving the story of any of its power or immediacy.
Kitano has come up with one of the most flat-out imaginative films to arrive in American theaters this summer.
Taken on its own terms, Takeshi Kitano's vision of a vanished samurai world is a true work of art.
Part Three Stooges, part 'Seven Samurai, Zatôichi is the film Quentin Tarantino tried to realize with the one-two sucker punch of Kill Bill.
Over-plotted and at times incoherent but never dull, this is a stylishly designed, highly entertaining bloodbath full of offbeat comedy and inspired musical moments.
Stylishly directed and smartly acted, especially by the filmmaker-star, who gives one of his best performances as the unerring swordsman.
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