It's the kind of film I more and more find myself seeking out, a film that seems alive in the sense that it appears to have free will.
The Blind Swordsman: Zatoichi/Sonatine (2004)
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Reviews Counted:109
Fresh:95
Rotten:14
Average Rating:7.2/10
Consensus: A violent, but fun samurai pic.
Rated: R [See Full Rating] for strong stylized bloody violence
Runtime: 1 hr 56 mins
Genre: Action/Adventure
Theatrical Release:Jul 23, 2004 Limited
Box Office: $584,553
Synopsis: With ZATOICHI, Takeshi Kitano, best known for such gangster films as VIOLENT COP, BOILING POINT, and BROTHER, makes his first period drama, an updating of the classic Japanese character portrayed... With ZATOICHI, Takeshi Kitano, best known for such gangster films as VIOLENT COP, BOILING POINT, and BROTHER, makes his first period drama, an updating of the classic Japanese character portrayed by Shintaro Katsu in movies and television from 1962 to 1989. Zatoichi is a blind samurai who shuffles from town to town, righting wrongs with his remarkable sword hidden within his cane. He is also a masseuse who likes to gamble. Kitano serves as director, writer, co-editor, and star of the film, playing the protagonist under his acting name, Beat Takeshi. This version of Zatoichi, based on the stories of Kan Shimozawa, is more violent than the earlier series, as Kitano strives to make it more realistic. He has also infused a clever sense of humor, while cinematographer Katsumi Yanagishima adds beautiful depth of field to many scenes. When Zatoichi arrives in a small town, he unknowingly walks into a classic tale of revenge, as two women plot to kill the men who murdered their family. As Zatoichi becomes more involved, an eventual showdown with young samurai Hattori (Tadanobu Asano, who excelled in Takashi Miike's very violent ICHI THE KILLER) is inevitable. ZATOICHI is thrilling filmmaking at its best, an endlessly entertaining samurai epic from a man who fully understands the genre and is not afraid to take it to the next level. SONATINE tells the story of gang boss Murakawa (Takeshi Kitano), who decides to consolidate his power as he approaches middle age. When his boss responds by assigning him to a peacekeeping mission in a town where a couple of the gang's provincial chapters are coming to blows, Murakawa is naturally suspicious. Is he being kicked upstairs--or kicked out? When he and his crew become the targets of a bloody ambush, the conclusion seems inescapable. A brutal indictment of the soul-crushing yakuza lifestyle. [More]
Starring: Beat Takeshi, Tadanobu Asano, Michiyo Ogusu, Yui Natsukawa
Starring: Beat Takeshi, Tadanobu Asano, Michiyo Ogusu, Yui Natsukawa, Guadalcanal Taka, Daigoro Tachibana, Yuko Daike, Ittoku Kishibe, Saburo Ishikura, Akira Emoto
Director: Takeshi Kitano
Director: Takeshi Kitano
Screenwriter: Takeshi Kitano
Story: Kan Shimozawa
Producer: Tsunehisa Saito, Masayuki Mori
Composer: Keiichi Suzuki
Studio: Miramax Films
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Release:
Nov 9, 2004
Reviews for The Blind Swordsman: Zatoichi/Sonatine
In the latter part of the film, [Kitano] exhibits an urge to liberate Zatoichi and himself from the action-movie template completely.
Ah, so I can't see, I still carry a big stick...There are a lot of film genres you could lump this with because it's got them all.
... a colorful if impersonal audience pleaser done up in a showy, fluid style with a tongue-in-cheek flair.
Takeshi Kitano, both as director and actor in the character of Ichi, seems to be blending more modern influences with the older themes.
Before Hollywood even thinks of remaking this perfect little Japanese martial arts film, they need to understand a thing or two about the cinema of cool.
Zatoichi: The Blind Swordsman is ultimately so entertaining, with its oddball mixture of tongue-in-cheek humor and exciting fight sequences, that you're more than willing to overlook its flaws.
In this case Kitano's characteristically idiosyncratic approach to genre material pays rich dividends.
Those so familiar with Kitano's tough-guy roles that they can't credit the fact that he got his start in Japanese show business as a comedian will see a different side of him here; it's his most antic film performance yet.
No longer the reluctant warrior who gets drawn into battle only out of necessity, this Zatoichi is more than willing to kick a little behind if he's in the mood.
Hyper-violent yet emotionally powerful, The Blind Swordsman: Zatoichi is the rare exploitation film that values relationships over bloodshed. But the bloodshed is still pretty awesome.
Some culture-specific humor that doesn't translate well and a protagonist who is downright silly--- always chuckling and cackling to himself in a way that gets on the nerves.
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