Blood and Black Lace (1960) - Rotten Tomatoes

Blood and Black Lace (1960)




Critic Consensus: No consensus yet.

Blood and Black Lace Trailers & Photos

Movie Info

Director Mario Bava's second thriller revolves around a fashion salon owned by wealthy Cristina (Eva Bartok) and her greedy lover Max (Cameron Mitchell). The salon is a front for cocaine-trafficking and blackmail, so when model Isabella (Lea Kruger) is viciously strangled, leaving a detailed diary behind, many of the people connected with the salon become very nervous. Isabella's roommate Nicole (Arianna Gorini) finds the diary and soon has her throat clawed out with a piece of medieval armor. Peggy (Mary Arden), who borrowed abortion money from Isabella, is tortured and has her face pressed into a red-hot iron. The bodies continue to pile up until a conspiracy is exposed and the perpetrators start getting their just desserts. Luciano Pigozzi, Massimo Righi, and Claude Dantes are among the cast.more
Rating: Unrated (adult situations)
Genre: Drama, Horror, Art House & International, Mystery & Suspense
Directed By:
Written By: Giuseppe Barilla, Marcello Fondato, Mario Bava, Joe Barilla, Giusseppe Barilla
In Theaters:
On DVD: Nov 8, 2005


Eva Bartok
as Contessa Cristina Co...
Cameron Mitchell
as Max Marian
Thomas Reiner
as Inspector Silvester
Mary Arden
as Peggy Peyton
Dante DiPaolo
as Frank Sacalo
Franco Ressel
as Marquis Richard More...
Lea Krugher
as Isabella
Show More Cast

News & Interviews for Blood and Black Lace

Critic Reviews for Blood and Black Lace

All Critics (13) | Top Critics (1)

Full Review… | May 10, 2005
New York Times
Top Critic

It is such a lysergic collision of high art and low that its very outmodedness has now become a paradoxical part of its timeless appeal - and from such heady heights, the only way could be down for the slasher genre that Bava's film helped model.

Full Review… | March 2, 2015
Little White Lies

For those prepared to overlook the stumbling script which exists merely as a frame, this is a true original, a portrait of murder in oils.

Full Review… | February 23, 2015
Eye for Film

It's one of Bava's most accomplished works, executed with a dazzling, unprecedented use of bright colors and deep shadows (sometimes both at once).

Full Review… | October 21, 2010
Combustible Celluloid

This B-film has a wooden script, leaden acting and uninteresting characters, but manages to show flashes of competence through the colorful direction of Bava.

Full Review… | March 9, 2010
Ozus' World Movie Reviews

Part painting, part tango, the picture is meticulous depravity and rapture, from its Mod-fab tableaux vivant opening credits through to its escalating abomination.

Full Review… | December 19, 2008
Film Freak Central

Audience Reviews for Blood and Black Lace

For its time this film was unmatched in its execution, though its conception was one in a long line of thematic whodunit films. Bava deviates from this classic structure by introducing a body count, and takes his time in showing the death scenes, in all their gory glory. While later slasher films were happy to leave the killer's motivations to mental disease, revenge fantasies, and a criminal disposition, this film shows that the killer is trying to keep a secret. Still, each of these model's killings is perpetrated in sick detail, each murder different from the next. They range from a fire poker torture session, to drowning, to eye gouging, which usually isn't conducive to murder mysteries. This may be the first instance where the promise of gruesome death overshadows catching the killer. There are some really great scenes, especially the first death scene in the warehouse, which borrows heavily from Welles' "Touch of Evil" in its choice of lighting. The ending was a little anti-climactic, but the rest of the film was as fresh and gritty as any slasher film, while still being stylish.

Spencer S.

Super Reviewer

Visually, this may be one of the most stunning films you will ever see. The photography, framing, lighting and use of colour is unequalled in this genre of film making from this era. The fluidity of the camera-work is remarkable and repays repeated viewings to appreciate it fully. The only thing that may make this difficult going for some is the English dubbing so see it with subtitles if you can. The acting is not great and in some places will bring about laughter where it was not intended ditto the actions of some of the victims. The murders are gruesome and graphic even in the cut version of this film and must have been truly shocking to audiences in 1964. The excellent music score fits perfectly with the fashion house setting of the story and the models are beautiful.

Cassandra Maples

Super Reviewer

Blood and Black Lace is a well-executed giallo, which literally translates to the word "yellow" in Italian. This color reference is a result of cheaply-made murder mysteries published in the 1920's that contained yellow covers. The common usage of the word giallo in terms of horror mostly involves a sadistic string of murders with an interesting final act that explains the motives behind them. In this particular film, Bava manages to deliver stylish camera work and a stunning layout. Imagine a cross between Roger Corman's set design during his Poe adaptation lineup, and pair it up with a composition that bares a striking resemblance to Dario Argento's artistry. Bava actually served as a huge inspiration for Argento which makes sense considering. Argento is responsible for 1982's Tenebre, another favorite giallo of mine.

The plot of this film concerns a deranged madman who is killing off young fashion models. In typical giallo fashion, red herrings or false leads are thrown at you to build an exciting climax. I mentioned a likeness to Argento and that's precisely why Bava served as a point of influence - there are several scenes that act like mood triggers; exploring the palette in terms of lighting to generate a certain atmosphere. And while Bava wasn't partial to just one color, the selection he chose from coordinated seamlessly with the environment. I really appreciate this artistic approach and the cultural differences in film making. I enjoy a good art house flick from time to time but Bava manages the feature's run-time wisely by expressing himself and maintaining relevance simultaneously.

Fans who are familiar with Italian giallos come to expect that many of them are dubbed in English...especially from this era. Luckily, I had the privilege of watching the uncut version of Blood and Black Lace in Italian with English subtitles on a old videotape years ago; upholding cinematic integrity flawlessly. If you love an entertaining giallo, or maybe you're curious about the sub-genre, Bava's classic is undoubtedly high on the list - just make sure you grab the version in Italian if you can find it.

David Ladd

Super Reviewer

Blood and Black Lace Quotes

There are no approved quotes yet for this movie.

Discussion Forum

Discuss Blood and Black Lace on our Movie forum!