An impressive first effort from Ms. Moncrieff, but the eternal Aristotelian in me finds it depressing to watch characters always walking around in moral quicksand.
Blue Car (2003)
Tomatometer
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Reviews Counted:85
Fresh:69
Rotten:16
Average Rating:6.9/10
Consensus: A cautionary tale that rings true.
Theatrical Release:May 2, 2003 Limited
Box Office: $397,645
Synopsis: Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find... Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find inspiration and guidance in her otherwise tumultuous life. At an early age, her father left her family behind. Now, there is only her edgy mother, Diane (Margaret Colin), and her increasingly aloof younger sister, Lily (Regan Arnold). Salvation appears to arrive in the presence of Mr. Auster (David Strathairn), Meg's reserved English teacher who takes an interest in Meg's poetry. It isn't long before both Meg and Mr. Auster begin to take an interest in each other, and as an approaching national poetry competition brings the two closer together, deeper feelings emerge. But Meg eventually learns a painful secret about Mr. Auster, which shatters her impressions of the man, and threatens to push her over the edge forever. Moncrieff, a former television actress turned writer-director, turns her potentially formulaic material into ultimately moving entertainment. This can be attributed to the performances of her lead actors. As the conflicted Meg, Bruckner is a perfect blend of budding sexuality and adolescent bitterness. As her damaged teacher, Strathairn is at turns deeply comforting and crushingly evil. [More]
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, Regan Arnold
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Peer J. Oppenheimer, Amy Sommer, David Waters
Composer: Adam Gorgoni
Studio: Miramax Films
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Release:
Oct 14, 2003
Reviews for Blue Car
I found this movie fascinating -- but not an easy one to sit through. It's seems excruciatingly real.
Worth watching for the coming-out party of Agnes Bruckner, a relative newcomer who shows her mettle with an extraordinary performance in this very ordinary tear-jerker.
A cozy, well-made vehicle without the capacity to carry everything that writer-director Karen Moncrieff piles into it.
Vivid performances . . . the film's warmly luminous look and the richly rendered view of a troubled but talented teen's struggles with the adult world sustain the film.
From the rain-streaked windshield to the unaffected line readings from a stellar cast, there is not a shot in Blue Car that doesn't ring true.
It's rare that a movie makes a viewer experience the psychodynamics of an encounter so profoundly -- usually theater is a better medium for that -- but Moncrieff has exceptional skills.
The strength of the movie -- which makes sure to show the pressures its characters face, so that all of them are weak but none of them is a villain -- is its recognition of the strength within Meg.
Has the feel of a novel in which the characters linger in one's memory well after the book has been read.
A well-intentioned coming-of-age film anchored by two indelible performances but weakened by an overabundance of drama.
Moncrieff (who studied acting) has such a fine cast that she makes the nuances come together as the portrait of a brief, piercing time in peoples' lives.
[Blue Car contains] a fantastic (and most likely star-making) performance by Agnes Bruckner and a script that never strikes a false or phony note.
Ms. Moncrieff's low-key directing is matched by fine acting from Agnes Bruckner as Meg and David Strathairn as her mentor.
Cuts both ways: the poetry and the acting were hot, the story and the cinematography were not so hot.
Not unlike Robert J. Siegel's Swimming, this little gem plays out an awful lot like adolescence.
...perhaps slight of budget but full of heart, soul, and a ton of acting talent, all well stirred by a new director who has expertly transferred her story of family failures and teen dreams to the big screen.
A moody, almost somnolent film in which good performances outweigh the oppressive subject matter.
The story is so well-acted and honestly written that after a while it stops bothering us that we know where it's going.
Latest News for Blue Car
April 14, 2005:
Actors Sign Up for a Taste of "Blood and Chocolate"
Annette Curtis Klause's "Blood and Chocolate" is being adapted for the big screen, courtesy of MGM/Sony. The Hollywood Reporter says its "about a teenage werewolf... More...
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