The film raises predictability to new levels.
Blue Car (2003)
Tomatometer
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Reviews Counted:85
Fresh:69
Rotten:16
Average Rating:6.9/10
Consensus: A cautionary tale that rings true.
Theatrical Release:May 2, 2003 Limited
Box Office: $397,645
Synopsis: Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find... Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find inspiration and guidance in her otherwise tumultuous life. At an early age, her father left her family behind. Now, there is only her edgy mother, Diane (Margaret Colin), and her increasingly aloof younger sister, Lily (Regan Arnold). Salvation appears to arrive in the presence of Mr. Auster (David Strathairn), Meg's reserved English teacher who takes an interest in Meg's poetry. It isn't long before both Meg and Mr. Auster begin to take an interest in each other, and as an approaching national poetry competition brings the two closer together, deeper feelings emerge. But Meg eventually learns a painful secret about Mr. Auster, which shatters her impressions of the man, and threatens to push her over the edge forever. Moncrieff, a former television actress turned writer-director, turns her potentially formulaic material into ultimately moving entertainment. This can be attributed to the performances of her lead actors. As the conflicted Meg, Bruckner is a perfect blend of budding sexuality and adolescent bitterness. As her damaged teacher, Strathairn is at turns deeply comforting and crushingly evil. [More]
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, Regan Arnold
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Peer J. Oppenheimer, Amy Sommer, David Waters
Composer: Adam Gorgoni
Studio: Miramax Films
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Release:
Oct 14, 2003
Reviews for Blue Car
We've seen this unhappy scenario played out many times before, but seldom with a better eye for detail.
Karen Moncrieff's evocation of the awkward, clashing relationships... and her clear-eyed look at the idealization of an inspirational teacher by a student in need of a daddy have an unsettlingly honest feel.
Moncrieff grabs us with details and dialogue so authentic ... that she often makes us feel as if we're standing on our toes and peering in the window of one of our neighbors.
It's an incredibly strong debut reinforced by astonishingly good performances by all the principals.
Blue Car is a beautifully crafted and well-acted drama about the tug and pull of yearning in the lives of a tormented young eighteen-year-old poet and her high school English teacher.
It's that central dance between teacher and student that makes the movie both hard to watch and worth your attention -- a subtle waltz of power in which it's difficult to tell who's leading until too late.
At the film's center Bruckner more than holds her own, beautifully capturing the anger, uncertainty and yearnings of an unhappy kid impatient for her 'real' life to begin.
A cozy, well-made vehicle without the capacity to carry everything that writer-director Karen Moncrieff piles into it.
For the most part, Blue Car succeeds in fulfilling Meg's assignment to 'touch the hidden nerve.'
When Meg looks mournfully over a box of scattered pictures (lighting the corners of her mind, no doubt), Blue Car, already maudlin, suddenly and terrifyingly becomes Purple Rain.
Blue Car may not be in the category of a classic, but it's certainly not a total wreck (more like a fixer-upper that's serviceable).
Though the story is fragile, Bruckner’s superlative acting registers Meg’s feelings with the dead-on accuracy of an emotional geiger counter.
Moncrieff (who studied acting) has such a fine cast that she makes the nuances come together as the portrait of a brief, piercing time in peoples' lives.
Moncrieff offers a rare, unromantic take on female adolescence as sharp as a razor: It cuts right to the bone.
Vivid performances . . . the film's warmly luminous look and the richly rendered view of a troubled but talented teen's struggles with the adult world sustain the film.
Latest News for Blue Car
April 14, 2005:
Actors Sign Up for a Taste of "Blood and Chocolate"
Annette Curtis Klause's "Blood and Chocolate" is being adapted for the big screen, courtesy of MGM/Sony. The Hollywood Reporter says its "about a teenage werewolf... More...
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