I didn't like Blue Car, and the only thing I found appalling is how blatantly predicable and pseudo-daring the supposedly appalling stuff is.
Blue Car (2003)
Tomatometer
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Reviews Counted:85
Fresh:69
Rotten:16
Average Rating:6.9/10
Consensus: A cautionary tale that rings true.
Theatrical Release:May 2, 2003 Limited
Box Office: $397,645
Synopsis: Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find... Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find inspiration and guidance in her otherwise tumultuous life. At an early age, her father left her family behind. Now, there is only her edgy mother, Diane (Margaret Colin), and her increasingly aloof younger sister, Lily (Regan Arnold). Salvation appears to arrive in the presence of Mr. Auster (David Strathairn), Meg's reserved English teacher who takes an interest in Meg's poetry. It isn't long before both Meg and Mr. Auster begin to take an interest in each other, and as an approaching national poetry competition brings the two closer together, deeper feelings emerge. But Meg eventually learns a painful secret about Mr. Auster, which shatters her impressions of the man, and threatens to push her over the edge forever. Moncrieff, a former television actress turned writer-director, turns her potentially formulaic material into ultimately moving entertainment. This can be attributed to the performances of her lead actors. As the conflicted Meg, Bruckner is a perfect blend of budding sexuality and adolescent bitterness. As her damaged teacher, Strathairn is at turns deeply comforting and crushingly evil. [More]
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, Regan Arnold
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Peer J. Oppenheimer, Amy Sommer, David Waters
Composer: Adam Gorgoni
Studio: Miramax Films
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Release:
Oct 14, 2003
Reviews for Blue Car
A coming-of-age tale acted with such honesty, and directed with such quiet understanding of its troubled characters, that its nearly unrelenting grimness takes on a poetic quality.
From the rain-streaked windshield to the unaffected line readings from a stellar cast, there is not a shot in Blue Car that doesn't ring true.
Easily my favorite American independent movie since You Can Count on Me.
Its refusal to come alive as a film, rather than just a good piece of writing, ultimately strands its good intentions.
A beautifully crafted and painfully sincere movie that makes most dramas about teenagers seem about as real and relevant as American Pie.
Karen Moncrieff's evocation of the awkward, clashing relationships... and her clear-eyed look at the idealization of an inspirational teacher by a student in need of a daddy have an unsettlingly honest feel.
Thanks to Bruckner and Strathairn, who's queasy beyond the call of duty, this is one indie that resonates well beyond the end credits.
For the most part, Blue Car succeeds in fulfilling Meg's assignment to 'touch the hidden nerve.'
One of the rare female coming-of-age stories in which the overall sense of authenticity more than compensates for the narrative lapses.
It's rare that a first-time director demonstrates such a sure hand, but Moncrieff is the real deal.
A convincing piece of drama that makes teen angst look like a perfectly reasonable reaction to events.
The movie unfolds, wobbling between scenes that feel fresh and genuine and others that feel seriously overfreighted with ethical judgments.
Moody, thoughtful drama is a brilliant debut for new actress Agnes Bruckner and a triumph for veteran David Strathairn.
...perhaps slight of budget but full of heart, soul, and a ton of acting talent, all well stirred by a new director who has expertly transferred her story of family failures and teen dreams to the big screen.
The movie crams a hell of a lot of dysfunction into its 88 minutes . . . Rare are the movies that convincingly depict a small child going mad.
Latest News for Blue Car
April 14, 2005:
Actors Sign Up for a Taste of "Blood and Chocolate"
Annette Curtis Klause's "Blood and Chocolate" is being adapted for the big screen, courtesy of MGM/Sony. The Hollywood Reporter says its "about a teenage werewolf... More...
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