A cozy, well-made vehicle without the capacity to carry everything that writer-director Karen Moncrieff piles into it.
Blue Car (2003)
Tomatometer
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Reviews Counted:85
Fresh:69
Rotten:16
Average Rating:6.9/10
Consensus: A cautionary tale that rings true.
Theatrical Release:May 2, 2003 Limited
Box Office: $397,645
Synopsis: Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find... Agnes Bruckner delivers an impressive, assured performance with BLUE CAR, an affecting coming-of-age drama from Karen Moncrieff. Bruckner is Meg, a beautiful teenager who is desperate to find inspiration and guidance in her otherwise tumultuous life. At an early age, her father left her family behind. Now, there is only her edgy mother, Diane (Margaret Colin), and her increasingly aloof younger sister, Lily (Regan Arnold). Salvation appears to arrive in the presence of Mr. Auster (David Strathairn), Meg's reserved English teacher who takes an interest in Meg's poetry. It isn't long before both Meg and Mr. Auster begin to take an interest in each other, and as an approaching national poetry competition brings the two closer together, deeper feelings emerge. But Meg eventually learns a painful secret about Mr. Auster, which shatters her impressions of the man, and threatens to push her over the edge forever. Moncrieff, a former television actress turned writer-director, turns her potentially formulaic material into ultimately moving entertainment. This can be attributed to the performances of her lead actors. As the conflicted Meg, Bruckner is a perfect blend of budding sexuality and adolescent bitterness. As her damaged teacher, Strathairn is at turns deeply comforting and crushingly evil. [More]
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher
Starring: David Strathairn, Agnes Bruckner, Margaret Colin, Frances Fisher, Regan Arnold
Director: Karen Moncrieff
Director: Karen Moncrieff
Screenwriter: Karen Moncrieff
Producer: Peer J. Oppenheimer, Amy Sommer, David Waters
Composer: Adam Gorgoni
Studio: Miramax Films
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Release:
Oct 14, 2003
Reviews for Blue Car
In its studied, naturalistic way, the movie can nonetheless resemble a week of Oprah sobfests.
Blue Car may not be in the category of a classic, but it's certainly not a total wreck (more like a fixer-upper that's serviceable).
Moncrieff offers a rare, unromantic take on female adolescence as sharp as a razor: It cuts right to the bone.
Ms. Moncrieff's low-key directing is matched by fine acting from Agnes Bruckner as Meg and David Strathairn as her mentor.
Has the feel of a novel in which the characters linger in one's memory well after the book has been read.
Even with its drawbacks, Blue Car remains an intimate, thoughtful drama, with a performance no one is likely to forget.
Moncrieff unfolds the tale with the bare-bones grace of an expert novelist, making subtle connections but never telling the audience how to feel.
Ms. Moncrieff's mature direction distills nuanced performances from her actors to tell a well-balanced, compelling and enlightening story with refreshing candor.
Blue Car is a beautifully crafted and well-acted drama about the tug and pull of yearning in the lives of a tormented young eighteen-year-old poet and her high school English teacher.
Strathairn's portrayal of a flawed man is so moving and Bruckner's Meg so painfully true -- a breakthrough performance -- that thoughts of Lolita are left far behind.
A teacher-student tangle that uses its So-Called Lifeness as a beard for interactions that veer from everyday surreal to hauntingly injurious.
No mere run-of-the-mill coming of age tale but a complex, poignant drama of a teacher-student relationship exquisitely acted.
This film is ultimately disappointing if not only for the lack of originality in the final scenes.
Latest News for Blue Car
April 14, 2005:
Actors Sign Up for a Taste of "Blood and Chocolate"
Annette Curtis Klause's "Blood and Chocolate" is being adapted for the big screen, courtesy of MGM/Sony. The Hollywood Reporter says its "about a teenage werewolf... More...
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