Opening

73% Fast & Furious 6 May 24
21% The Hangover Part III May 23
63% Epic May 24
97% Before Midnight May 24
88% We Steal Secrets: The Story Of Wikileaks May 24
83% Fill the Void May 24
17% A Green Story May 24
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
99% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

Bluebeard Reviews

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Charlotte O'Sullivan
This is London

Breillat's ideas owes much to Angela Carter, yet The Bloody Chamber author would surely be depressed by the lack of dynamism on display.

Full Review Source: This is London | Original Score: 2/5

July 22, 2010
Rich Cline
Shadows on the Wall

Murky and cold, this retelling of the fairy tale has an effectively grim tone that cleverly plays with our expectations while examining some provocative themes. But it's not very engaging.

Full Review Source: Shadows on the Wall | Original Score: 3.5/5

July 22, 2010
Kate Stables
Total Film

Catherine Breillat's move from arthouse provocations to ponderous period dramas continues with this austere, slyly experimental adaptation of Charles Perrault's grisly classic.

Full Review Source: Total Film | Original Score: 3/5

July 22, 2010
Sophie Ivan
Film4

While it contains more layers than a slab of Viennetta, this might actually be Breillat's most accessible film to date. Just don't expect anyone to live happily ever after.

Full Review Source: Film4 | Original Score: 4/5

July 20, 2010

It's a playful approach, but Breillat's flat visual style and the deliberately stiff and austere performances she gets from her actors make this more of a chore than it should be.

Full Review Source: Scotsman | Original Score: 3/5

July 19, 2010
Sophie Ivan
Little White Lies

Complex, comic and discomfiting. So, vintage Breillat...

| Original Score: 4/5

July 16, 2010
Peter Bradshaw
Guardian [UK]

Breillat's chamber-piece of oblique eroticism is beautifully designed and acted but rendered slightly unsatisfying by a pointless second level of narrative reality.

Full Review Source: Guardian [UK] | Original Score: 3/5

July 15, 2010
James O'Brien
Daily Mail [UK]

Taking itself too seriously is just the first of many grave offences committed by the wretched Bluebeard.

Full Review Source: Daily Mail [UK] | Original Score: 1/5

July 15, 2010
David Edwards
Daily Mirror [UK]

It's a surreal little film with an intriguing Freudian subtext and a haunting blend of magic and gritty realism.

Full Review Source: Daily Mirror [UK] | Original Score: 3/5

July 15, 2010
Sukhdev Sandhu
Daily Telegraph

What's most surprising about this adaptation is how free of violence it is: rather than embrace its potential for serial-killer bloodlust, [Breillat] has produced a witty, graceful and unusually tender reading of the story.

Full Review Source: Daily Telegraph | Original Score: 4/5

July 15, 2010
David Parkinson
Empire Magazine

Catherine Breillat delivers a new spin on an old tale that doesn't underestimate the female spirit.

Full Review Source: Empire Magazine | Original Score: 3/5

July 15, 2010
David Fear
Time Out
Top Critic IconTop Critic

Breillat has produced her funniest and most immediately pleasurable film to date.

Full Review Source: Time Out | Original Score: 4/5

July 15, 2010
Nigel Andrews
Financial Times

We end with a head on a platter. But the head is oddly bloodless, like the whole film.

Full Review Source: Financial Times | Original Score: 2/5

July 15, 2010
David Parkinson
Radio Times

The disconcerting saga springs two particularly nasty surprises, even if the "modern" segment doesn't quite work.

Full Review Source: Radio Times | Original Score: 4/5

July 15, 2010
Tim Evans
Sky Movies

Breillat's simplistic, spare approach pays dividends, particularly harnessed to sympathetic playing from the two girls, particularly Creton.

Full Review Source: Sky Movies | Original Score: 3/5

July 15, 2010
Kent Turner
Film-Forward.com

Breillat directs the Bluebeard story line with a deliberate flatness, like a literal retelling, where all the actors appear stiff

Full Review Source: Film-Forward.com | Original Score: 2/4

July 11, 2010
Nick Schager
Lessons of Darkness

A moody fantasia of barely repressed compulsions and desire.

Full Review Source: Lessons of Darkness | Original Score: B+

July 2, 2010
Sean Axmaker
Seanax.com

Breillat directs it more like a rarefied period drama than a fantasy, stirred with poetic touches and offbeat humor and dark twists...

Full Review Source: Seanax.com

June 27, 2010
Matthew Sorrento
Bright Lights Film Journal

[S]omething very different and, as usual for the filmmaker, very fresh.

Full Review Source: Bright Lights Film Journal | Original Score: 8/10

June 2, 2010
Mark Feeney
Boston Globe
Top Critic IconTop Critic

A simple device, the parallel structure freshens and enlarges the familiar story precisely because Breillat doesn't put too much weight on it.

Full Review Source: Boston Globe | Original Score: 2.5/4

May 13, 2010
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