Opening

19% Transcendence Apr 18
—— A Haunted House 2 Apr 18
54% Heaven Is for Real Apr 16
87% Bears Apr 18
55% Fading Gigolo Apr 18

Top Box Office

89% Captain America: The Winter Soldier $41.3M
48% Rio 2 $39.3M
71% Oculus $12.0M
63% Draft Day $9.8M
77% Noah $7.6M
40% Divergent $7.4M
13% God's Not Dead $5.5M
92% The Grand Budapest Hotel $4.1M
79% Muppets Most Wanted $2.3M
78% Mr. Peabody & Sherman $1.9M

Coming Soon

44% The Other Woman Apr 25
—— Brick Mansions Apr 25
73% The Amazing Spider-Man 2 May 02
100% Neighbors May 09
—— Godzilla May 16

New Episodes Tonight

—— Continuum: Season 3
100% Hannibal: Season 2
—— Hart of Dixie: Season 3
—— Last Man Standing: Season 3
—— Unforgettable: Season 2

Discuss Last Night's Shows

—— Anger Management: Season 2
92% Community: Season 5
55% The Crazy Ones: Season 1
100% Grey's Anatomy: Season 10
90% Parenthood: Season 5
100% Parks and Recreation: Season 6
100% Portlandia: Season 4
55% Reign: Season 1
0% Saint George: Season 1
100% Scandal: Season 3
73% Sirens: Season 1
68% Surviving Jack: Season 1
92% Vikings: Season 2

Certified Fresh TV

77% About a Boy: Season 1
97% The Americans: Season 2
82% The Blacklist: Season 1
88% Brooklyn Nine-Nine: Season 1
85% Enlisted: Season 1
98% Fargo: Season 1
98% Game of Thrones: Season 4
100% Hannibal: Season 2
96% Silicon Valley: Season 1

Bonjour Tristesse Reviews

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Calum Marsh
Little White Lies

Jean Seberg is as captivating as ever in Otto Preminger's newly restored 1958 drama.

Full Review Source: Little White Lies | Original Score: 4/5

August 29, 2013
Peter Bradshaw
Guardian [UK]

Underneath the endless round of parties and nightclubs, there is a desperate, secret sadness, and Seberg's stare at the camera is haunting.

Full Review Source: Guardian [UK] | Original Score: 5/5

August 29, 2013
James Mottram
Total Film

Contrasting the picture-perfect backdrop, Saul Bass' title sequence and Juliette Gréco's rendition of the title song add to the melancholy.

Full Review Source: Total Film | Original Score: 3/5

August 28, 2013
Tom Huddleston
Time Out
Top Critic IconTop Critic

The final shot is one of the most convincingly grief-stricken in cinema.

Full Review Source: Time Out | Original Score: 5/5

August 27, 2013
Keith Uhlich
Time Out New York
Top Critic IconTop Critic

Niven and Kerr keenly satirize their onscreen iconographies-the cad and the goody-goody, respectively-but it's Seberg who cuts deepest.

Full Review Source: Time Out New York | Original Score: 5/5

April 24, 2012
Nick Pinkerton
Village Voice
Top Critic IconTop Critic

Otto Preminger's formally dazzling 1958 film is an edifice constructed of contrasts.

Full Review Source: Village Voice

April 24, 2012
Emanuel Levy
EmanuelLevy.Com

Misunderstood at the time and still underappreciated, this 1958 glossy melodrama improves on Sagan's French novella, displaying Preminger's best qualities as auteur, moral ambiguity, detached, nonjudgmental approach, not to mention smooth visuals.

Full Review Source: EmanuelLevy.Com | Original Score: A-

July 14, 2009
Dennis Schwartz
Ozus' World Movie Reviews

Has a glacial tone that gets covered with a lobster red French Riviera sunburn.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

December 16, 2007

TV Guide's Movie Guide

Kerr, of course, is a standout talent in spite of script deficiencies, and Demongeot plays the role of a silly blonde well. The Riviera scenes are rich in eye appeal and Kerr's chic costuming by Givenchy adds another plus.

Full Review Source: TV Guide's Movie Guide | Original Score: 3/4

October 23, 2007

Time Out
Top Critic IconTop Critic

The flirtation with incest at the centre of this adaptation of Françoise Sagan's novel is tame by modern standards, but the evil scheming of Seberg as the daughter set on separating her father and his mistress is still forceful.

Full Review Source: Time Out

June 24, 2006
David Sanjek
PopMatters

While some may be put off by Preminger's glossy presentation of the idle rich, his direction in Bonjour Tristesse engages the mind while it stimulates the senses.

Full Review Source: PopMatters

January 9, 2004
Eric Henderson
Slant Magazine

Among favorite cinephile pet auteurs, no one's reputation has had a rougher ride than that of Otto Preminger's.

Full Review Source: Slant Magazine | Original Score: 4/4

December 8, 2003
Carol Cling
Las Vegas Review-Journal

| Original Score: 3/5

August 22, 2003

Film4

he overall ambiguity of the film and its refusal to make judgements mark it as ahead of its time, while the cast are first-rate, particularly Seberg, veering between impishly mischievous and spookily sinister.

Full Review Source: Film4

May 24, 2003
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 3/5

December 23, 2002
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

Arguably, this is Preminger's masterpiece.

Full Review Source: Chicago Reader

January 1, 2000
Dragan Antulov
rec.arts.movies.reviews

Hollywood soap opera at its best, nicely done and still entertaining after many decades.

Full Review Source: rec.arts.movies.reviews | Original Score: 7/10

January 1, 2000
David Nusair
Reel Film Reviews

...palpably overlong...

Full Review Source: Reel Film Reviews | Original Score: 1.5/4

November 12, 2012
Variety Staff
Variety
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Script deficiencies and awkward reading -- some lines are spoken as though just that -- have static results.

Full Review Source: Variety

October 23, 2007
Bosley Crowther
New York Times
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A bomb.

Full Review Source: New York Times | Original Score: 1/5

March 25, 2006
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