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Bonnie and Clyde Reviews

Page 1 of 3
Dave Kaufman
Variety
Top Critic IconTop Critic

This inconsistency of direction is the most obvious fault of Bonnie and Clyde, which has some good ingredients, although they are not meshed together well.

Full Review Source: Variety

July 2, 2007
Dennis Schwartz
Ozus' World Movie Reviews

Goes overboard in its homage to a vicious team of bank robbers and killers.

Full Review Source: Ozus' World Movie Reviews | Original Score: C+

July 25, 2010

The question is whether it adds up to anything truthful, or evokes disquiet by crudely trying to con us into emotional reactions that do not make much sense.

March 12, 2003
Bosley Crowther
New York Times
Top Critic IconTop Critic

It is a cheap piece of bald-faced slapstick comedy that treats the hideous depredations of that sleazy, moronic pair as though they were as full of fun and frolic as the jazz-age cutups in Thoroughly Modern Millie.

Full Review Source: New York Times | Original Score: 1/5

May 20, 2003

TIME Magazine
Top Critic IconTop Critic

Like Bonnie and Clyde themselves, the film rides off in all directions and ends up full of holes.

Full Review Source: TIME Magazine

August 22, 2008
Penelope Gilliatt
New Yorker
Top Critic IconTop Critic

Bonnie and Clyde don't really know that killing kills. The film does -- unlike the run of movies about violence now, which mostly know that killing sells.

Full Review Source: New Yorker

January 14, 2013
Eric Henderson
Slant Magazine

Stylistically, Arthur Penn's crime epic doesn't do anything that hadn't already been seen in any number of runty, skuzzy teen epics, all of which firmly established the paragons of good (i.e. "The Law") as being the new antagonists.

Full Review Source: Slant Magazine | Original Score: 3/4

March 31, 2008
Philip Martin
Arkansas Democrat-Gazette

Beatty's slo-mo rolling across the gravel, a muzzle flashing in his hand, is more real to us than Clyde slumped behind the wheel, dead before he realized he was ambushed

Full Review | Original Score: 92/100

February 15, 2008
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

When I saw it, I had been a film critic for less than six months, and it was the first masterpiece I had seen on the job. I felt an exhilaration beyond describing.

Full Review Source: Chicago Sun-Times | Original Score: 4/4

January 1, 2000
James Berardinelli
ReelViews
Top Critic IconTop Critic

It should readily be apparent that there is something special about the production, with its brash, vivid style, indelible performances by movie icons, and bold mixture of violence and comedy, romance and tragedy.

Full Review Source: ReelViews | Original Score: 4/4

May 1, 2003
Nell Minow
Movie Mom at Yahoo! Movies

| Original Score: 5/5

August 20, 2004
Moira Sullivan
FilmFestivals.com

Some scenes are violent even by today's standards. Robbing during the depression is highly glamourized, especially with the youthful good looks of Beatty and Dunaway.

| Original Score: 5/5

April 23, 2003
James Rocchi
Netflix

This film is worthy of the attention of anyone who's interested in classic American cinema.

Full Review Source: Netflix | Original Score: 5/5

November 7, 2002
Scott Weinberg
eFilmCritic.com

Shocking, violent, extremely entertaining.

| Original Score: 5/5

July 26, 2002
Chris Barsanti
PopMatters

Those returning to Bonnie and Clyde with this well-deserved special edition could well be shocked by how, well, shocking it is.

Full Review Source: PopMatters | Original Score: 8/10

May 1, 2008
Victoria Alexander
FilmsInReview.com

Memorable and breathtaking.

| Original Score: 5/5

October 1, 2003
Andrew L. Urban
Urban Cinefile

Faye Dunaway and Warren Beatty deliver pitch perfect performances as Bonnie and Clyde, with characterisations that are layered and engaging. Beatty's bravado is infectious, and Dunaway's abandon is life affirming - if doomed.

Full Review Source: Urban Cinefile

August 14, 2008
Rebecca Murray
About.com

| Original Score: 5/5

April 2, 2004
Cole Smithey
ColeSmithey.com

| Original Score: 4/5

October 22, 2006
Jeffrey M. Anderson
Combustible Celluloid

Freed from the production code that drove most of the old Warner Brothers gangster films of the 1930s and 40s, Arthur Penn gave Bonnie and Clyde a new kind of thrilling glee.

Full Review Source: Combustible Celluloid | Original Score: 4/4

May 26, 2006
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