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Borstal Boy (2002)
Tomatometer
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Reviews Counted: 32
Fresh: 15
Rotten:17
Average Rating: 5.7/10
Consensus: The sentimentality of Borstal Boy feels false in contrast to the gritty life of the actual Brendan Behan.
Theatrical Release:Mar 1, 2002 Limited
Synopsis: Peter Sheridan, the acclaimed Irish theater director and brother of film director Jim Sheridan (MY LEFT FOOT) makes his feature directorial debut with an adaptation of playwright, novelist, and... Peter Sheridan, the acclaimed Irish theater director and brother of film director Jim Sheridan (MY LEFT FOOT) makes his feature directorial debut with an adaptation of playwright, novelist, and political rogue Brendan Behan's autobiographical tale. In 1939, sixteen-year-old IRA recruit Behan (Shawn Hatosy), hides TNT in his trousers and boards a ferry for England, eager to further the Irish Republic's cause. Nabbed immediately by police, the underage Behan evades the hangman's noose, and is sentenced to four years at an English "borstal," or reform school, run by the paternal Governor Joyce (Michael York). The cocky idealist, now living with the enemy--troubled boys that Brendan finds remarkably similar to himself--quickly begins planning his escape. To his dismay, Brendan becomes the object of handsome thief Charlie Millwall's (Danny Dyer) wistful homosexual affections. The young Irishman fights against association with a "poofter," but in spite of himself, grows closer to Charlie. Meanwhile, Brendan begins a tenuous relationship with Joyce's daughter, Elizabeth (Eva Birthistle), a literate and upper crust painter. Hatosy and Dyer deliver nuanced performances that enhance Sheridan's loving homage to a literary legend's youthful exploration of sexuality and creativity. [More]
Starring: Shawn Hatosy, Danny Dyer, Michael York, Eva Birthistle
Starring: Shawn Hatosy, Danny Dyer, Michael York, Eva Birthistle
Director: Peter Sheridan
Director: Peter Sheridan
Screenwriter: Peter Sheridan, Nye Heron
Producer: Arthur Lappin
Studio: Strand Releasing
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Reviews for Borstal Boy
Behan's emotional growth and confused self-examination are ably conveyed by Hatosy's spirited and well-nuanced performance.
Dripping with cliche and bypassing no opportunity to trivialize the material.
Sheridan had a wonderful account to work from, but, curiously, he waters it down, turning grit and vulnerability into light reading.
Hatosy establishes himself here not only as the bona fide star of this little ensemble film, but also as a talent to be watched.
Takes a clunky TV-movie approach to detailing a chapter in the life of the celebrated Irish playwright, poet and drinker.
Borstal Boy represents the worst kind of filmmaking, the kind that pretends to be passionate and truthful but is really frustratingly timid and soggy.
A film that will probably please people already fascinated by Behan but leave everyone else yawning with admiration.
Serves as a powerful reminder that children have been willing to die for the hatred in which they've been schooled for a long time now.
"I blame all men for war," [the warden's daughter] tells her father. The movie is about as deep as that sentiment.
Does anyone much think the central story of Brendan Behan is that he was a bisexual sweetheart before he took to drink?
Behan's memoir is great material for a film -- rowdy, brawny and lyrical in the best Irish sense -- but Sheridan has settled for a lugubrious romance.
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