Bound

Bound

92%
  • Bound
    2 minutes 5 seconds
    Added: May 9, 2008

Opening

70% The Equalizer Sep 26
71% The Boxtrolls Sep 26
85% The Two Faces of January Sep 26
—— Two Night Stand Sep 26
91% Jimi: All Is by My Side Sep 26

Top Box Office

63% The Maze Runner $32.5M
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43% This Is Where I Leave You $11.6M
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71% Dolphin Tale 2 $8.9M
92% Guardians of the Galaxy $5.2M
20% Let's Be Cops $2.7M
19% Teenage Mutant Ninja Turtles $2.7M
88% The Drop $2.1M
37% If I Stay $1.8M

Coming Soon

56% Men, Women & Children Oct 01
85% Gone Girl Oct 03
—— Annabelle Oct 03
67% The Good Lie Oct 03
—— 7500 Oct 03

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—— American Dad!: Season 11
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97% Masters of Sex: Season 2
80% Ray Donovan: Season 2
87% The Strain: Season 1
—— Witches of East End: Season 2

Bound Reviews

Page 2 of 71
finlaybuchanan
August 31, 2011
Excellent film which was much better than I was expecting after a rather tacky start. It just seemed to get better as the film went on.
September 11, 2014
Before going on to shape the landscape of cinema with sophomore feature The Matrix (1999), the Wachowski brothers, Andy and Larry (now Lana), served up this impressive subversive noir debut - an ultra stylish affair that plays out like a classic 50's thriller, but with a fun tweak in genders.

Corky (Gina Gershon) is a hardened female ex-con with a pout, tattoos and a wry smile that immediately piques the interest of the glamorous Betty Boop-looking Violet (Jennifer Tilly). While Corky is working in an adjacent apartment, the film takes on an early erotic thriller/soft porn vibe as Violet gets her round to help with the plumbing - cue close-ups of hands engaged in manual labour and flexing biceps. The two women fall into bed and into an illicit affair that sees them hatch a plan to rip off $2 million from Violet's mobster husband Caesar (Joe Pantoliano) - but, as the opening flash-forward of Corky gagged and bound on the apartment floor tells us, not everything goes to plan.

As the name suggests Bound is a tight, claustrophobic experience that is predominantly set inside the corridors and bedrooms of the apartment block. While this restraint is probably more on account of the budget, it keeps the narrative sharply focused and forces the climax into the film's woozy, intense highlight. Largely owed to a glorious script of pithy exchanges, callbacks and clichés all of its parts click seamlessly into place as the Wachowskis are able to find a thriller of violence and invention at the first time of asking.

Aside from the two strong - if stagey - lead performances, it arguably offers Pantoliano the best film role of his career. An actor who is many people's favourite screen villain as Ralph Cifaretto in The Sopranos, Bound gives him the opportunity to demolish every scene he's in with vitriol and weasly squirming. Playing a key role in the pulse-racing denouement it's the two women who take the headlines, but playing against the hateful Caesar is what gives their journey the required bite.

Stripped of much colour, nearly everything is reduced to a palette of black, white and grey - aside from the ubiquitous woman in red and other flashes of red and green that sporadically lift the frame. To compensate for the minimal use of location and colour the Wachowskis turn to cinematographer Bill Pope to spark the picture to life with a catalogue of inventive angles, camera moves and transitions. The frame is treated with such playfulness and refinement that Bound is able to assume the demeanour of a higher budget affair. Extreme shadows are cast and husky dialogue is spoken, and it is able simultaneously to pay homage to the tone of a pulpy noir, yet retain its own fresh identity. Even now, 18 years later, it still has a daring edge to it and only the suits and haircuts have aged poorly.

If you look hard enough, there's some neat foreshadowing of the brothers' future exploits (bullet time, colour palette, wallpaper) but Bound is a rollicking little debut that deserves attention in its own right. We don't get many films from them, but as last year's Cloud Atlas showed they are nothing if not wildly adventurous and unafraid of playing with genre conformity. Here's where it all began.
September 6, 2014
Interesting take on film-noir.
judebd
September 4, 2014
Some make it big though it does not intend to.
August 31, 2012
It has the best lesbo scene ever shot, and it's loaded with excitement all the way.
August 9, 2014
A stylish update of film noir that pretty mush stays in the one setting. The two central characters are great, the sex scenes are steamy, and Joey Pants is outstanding as the mark who just doesn't know when to give up
August 8, 2014
An extremely well made alternative mobster flick with twists and turns and a surprising ending.
July 25, 2014
Sensuous , stylized and nicely delivered , Wachowski Brothers delivers a nice , gritty plot that ultimately does not go the long way as it stumbled towards the end delivering an anti-climax in its ultimate sequences
July 15, 2014
Well I guess I done 3 em and a baby for you guys, now it's my turn.[clears throat] Bound. Bound is one of the greatest thrillers ever made. It did really well but not in the box office. I could watch this film a million times and never get tired of it.
June 1, 2014
Every1 luvs.....BOUND!!!
Mike N.
March 28, 2014
sorry, i thought this movie was horrible and cliche.
January 18, 2014
Bound is smart, sexy, funny. a really wonderful debut for The Wachowskis.
January 16, 2014
A sexy lesbian Thriller with a good story, a strong cast & some cool twists in the story.
January 7, 2014
STAND ALONE REVIEW: This movie was a great start to the Wachowski's careers....If only they could go back to that original spark..

WATCHING WITH YOUR BOYS: Crazy good Heist movie

WATCHING WITH A CHICK AT NIGHT: Oh yeah...
November 19, 2013
An exceptional crime thriller with fashion, grand moments & connecting plot.
February 8, 2012
Sexy fuckin suspense.
October 18, 2013
no surprise Lana Wachowski directed this when she was still a man lol. great story, highly recommended
October 4, 2013
??? ????? ????????????? ????? ?????? ??? ????!
September 23, 2013
The hot sex is all in the first five minutes. After that, it's just a redundantly violent movie. Every cliche - a vicious but stupid son of a Mafia don, last minute phone calls, cops called to the door, a chase down the staircase, a convenient knife - all so hackneyed. If you can't fast forward through the middle, you'll be begging Joe Pantoliano to kill you. Go watch "Goodfellas" for the twentieth time and save yourself the incredulity.
July 7, 2013
I was on the edge of my seat most of the time.
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