This writer can't remember witnessing a harder-hitting kids' movie denouement than the one that closes this microcosm of middle-class German family life in WWII.
The Boy in the Striped Pajamas (2008)
Tomatometer
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Reviews Counted:125
Fresh:80
Rotten:45
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Theatrical Release:Nov 7, 2008 Limited
Box Office: $9,030,581
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
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Release:
Mar 10, 2009
Reviews for The Boy in the Striped Pajamas
Ultimately, though, it’s the kids’ movie; both Butterfield and Scanlon deliver strong, poignant performances. Just prepare to leave the screening feeling somewhat depressed.
Yet another attempt to revisit a sorrowful event in history that should never be forgotten or used for entertainment.
The picture is blatantly obvious, pandering, and rather insulting.
The film’s flimsy fabric of historical reimagining – a death camp with no watchtower and an out-of-sight corner for illicit pow-wows and tunnel-digging – makes the notionally harrowing ending seem a smash-and-grab raid on our susceptibilities.
By the climax, which will tie your stomach in knots, Herman has turned Bruno into the innocent caught up in the nightmare and Jews into extras in his story.
You may get halfway through and wonder why it's getting so heavily recommended here. Once you've experienced it in its entirety, you'll know why.
I only wish they would have played more games back and forth through and over the fence, because every time they did, it got a little misty in the room.
Perhaps the movie might be most profitably viewed as almost a genre tale: A suspense thriller with a moral to its twist ending, like that old Nazi 'Twilight Zone' episode, but without the supernatural element.
Writer-director Herman handles a difficult topic with great sensitivity, drawing splendid performances from his young actors with David Thewlis and Vera Farmiga and the other grown-ups reliably efficient.
While effective in spots, the abrupt, powerful ending would have worked better as a short story.
The Boy in the Striped Pajamas should be heartbreaking, but it isn't. The muted quality of its impact is the result of narrative shortcuts and a desire to keep the images from being too startling.
Use[s] children stumbling into shamelessly manipulative tragedies to make its thuddingly obvious points.
It tosses over all that finely drawn narrative caution and goes straight for the sensational, swinging its attention on Bruno's distraught mother and the breakdown of a single German family.
Contemptible awards-bait... The Holocaust deserves far more than this prim Masterpiece Theater treatment.
Didn't these people see photos in the papers so that they could tell the difference between nighttime garb and the uniform of death?
The acting is heartfelt, but the film carries a heaped cargo of conceits that has it wavering between the stark and the sentimental, the nuanced and the schematic.
Even in its lighter moments, the picture never downplays the horror of the situation, and the devastating ending is potent enough to affect even those viewers who write it off as nothing more than a sensationalist stunt.
Latest News for The Boy in the Striped Pajamas
March 16, 2009:
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March 05, 2009:
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March 01, 2009:
In no way a fashion statement about sleepwear, but rather a solemnly imaginative political statement about the Germans asleep when it came to exactly what was going down during the Nazi regime. The Final Solution meets The Pied Piper. ![]()
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