An unforgettable motion picture experience. Powerful and moving beyond words.
The Boy in the Striped Pajamas (2008)
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Reviews Counted:125
Fresh:80
Rotten:45
Average Rating:6.2/10
Consensus: A touching and haunting family film that deals with the Holocaust in an arresting and unusual manner, and packs a brutal final punch of a twist.
Theatrical Release:Nov 7, 2008 Limited
Box Office: $9,030,581
Synopsis: Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is... Based on the novel by John Boyne, THE BOY IN THE STRIPED PAJAMAS is a wrenching Holocaust story about a young German boy and his forbidden friendship with a Jewish child. Bruno (Asa Butterfield) is living a charmed life in Berlin as the son of a high-ranking Nazi soldier, when his father (David Thewlis) is suddenly transferred to a job out in the country. Bruno, as well as his sister Gretel (Amber Beattie) and mother (Vera Farmiga) must all join him at his new post. Bruno is lonely and confused by his new surroundings, and he doesn't understand why he can't wander the grounds or play at a nearby farm. The "farm," of course, is a concentration camp, though Bruno doesn't know this. He soon sneaks away to explore, and meets Shmuel (Jack Scanlon) a prisoner of the camp. Shmuel is eight, the same age as Bruno, and the two form a timid, careful friendship, playing checkers and catch through the barbed wire fence. Bruno knows that his friendship with Shmuel is dangerous, but after witnessing brutal violence perpetrated against some very kind people, he has begun to question the Nazi doctrine of hate. He is no longer sure what to make of his soldier father, whom he once believed to be a hero. When he learns that Shmuel is in trouble, he vows to help him, and together the boys form an outrageous plan that culminates in the film's devastating climax. Farmiga and Thewlis put in excellent performances, while Scanlon and Butterfield, are equally impressive, doing a fine job of carrying the weight of such a heavy film. The BOY IN THE STRIPED PAJAMAS is a deeply moving and--it must be said--disturbing movie. But it is a remarkable story, told with masterly intelligence and grace. [More]
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman
Starring: Vera Farmiga, David Thewlis, Rupert Friend, David Hayman, Asa Butterfield, Jack Scanlon, Amber Beattie, Attila Egyed, Béla Fesztbaum, Sheila Hancock, Jim Norton
Director: Mark Herman
Director: Mark Herman
Screenwriter: Mark Herman
Producer: David Heyman
Composer: James Horner
Studio: Miramax Films
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Release:
Mar 10, 2009
Reviews for The Boy in the Striped Pajamas
When Bruno makes an effort to set things right, the film goes powerfully wrong.
That these boys could not fathom what was actually going on in the camps also rings true and is the reason why stories like this one must endure.
This very unsubtle movie's heart is in the right place; its art, unfortunately, isn't.
Farmiga's emotional clarity and intensity have an almost cleansing quality -- so pristine, plain and right. This role takes her abilities and her career to a new level.
Not everything in life, or in history, needs to be framed in terms of things children can relate to. I'm not talking about shielding kids; I'm just saying that some ideas are so horrific that they shouldn't be framed in childish terms.
When it comes to the Holocaust, contrivance is neither welcome nor necessary.
Director Herman rarely pulls us out of Bruno's naive view of the world, which adds a layer of unsettling ominousness.
Translating this dark fable to the screen, Herman for the most part maintains the book's oversimplification of historical events, but he nonetheless crafts an affecting drama that refuses to soft-pedal its harrowing conclusion.
It's the opposite of a good time out at the theatre, but it is a well-made film that is difficult to forget.
It tosses over all that finely drawn narrative caution and goes straight for the sensational, swinging its attention on Bruno's distraught mother and the breakdown of a single German family.
The child in the striped pajamas is yours and mine and every child at any time.
What strikes me as entirely bogus is the notion, expressed in the movie's taglines, that this narrative can be interpreted as hopeful or positive.
The Boy in the Striped Pajamas may contain the most horrific and unsettling ending in film history but that is what makes the movie so darn good.
See the Holocaust trivialized, glossed over, kitsched up, commercially exploited and hijacked for a tragedy about a Nazi family. Better yet and in all sincerity: don't.
Sophisticated and involving, The Boy in the Striped Pajamas offers a fuller picture of the period [than the book] and a stunner of a conclusion.
Yet another attempt to revisit a sorrowful event in history that should never be forgotten or used for entertainment.
It sounds ridiculous, and yet thanks to a remarkable concatenation of talent, it's horrifying rather than risible.
I only wish they would have played more games back and forth through and over the fence, because every time they did, it got a little misty in the room.
Latest News for The Boy in the Striped Pajamas
March 16, 2009:
An unlikely buddy flick which makes light of the Holocaust. ![]()
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March 09, 2009:
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March 05, 2009:
In no way a fashion statement about sleepwear, but rather a solemnly imaginative political statement about the Germans asleep when it came to exactly what was going down during the Nazi regime. The Final Solution meets The Pied Piper. ![]()
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March 01, 2009:
In no way a fashion statement about sleepwear, but rather a solemnly imaginative political statement about the Germans asleep when it came to exactly what was going down during the Nazi regime. The Final Solution meets The Pied Piper. ![]()
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