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Movies / On DVD / Bread & Roses
Bread & Roses

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Bread & Roses (2001)

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Reviews Counted:62

Fresh:40

Rotten:22

Average Rating:6.1/10

Consensus: Bread and Roses has powerful moments, but it also sometimes descends into preachiness.

Rated: R [See Full Rating] for strong language and brief nudity

Runtime: 1 hr 50 mins

Genre: Dramas

Theatrical Release:May 11, 2001 Limited

Synopsis: Maya is a spirited young Mexican woman who is propelled by her dreams of a better life in America. After a close call with border guards and unscrupulous "coyotes" who smuggle her into the country,... Maya is a spirited young Mexican woman who is propelled by her dreams of a better life in America. After a close call with border guards and unscrupulous "coyotes" who smuggle her into the country, she arrives in Los Angeles, ready and eager to work. Her older sister, Rosa, a married woman with two children and a sick husband, is painfully aware of the realities awaiting Latinos in the U.S. But Maya is relentlessly optimistic and grateful for every opportunity, including the chance to join Rosa at her job cleaning office buildings at night. Quickly, Maya's optimism sours. Her lecherous boss demands a commission of two months' salary just for giving her the job, the hours are long, the wages are ridiculously low, and there is no security. The janitors in Maya's group are always subject to the whims of their volatile boss. Only Reuben, a young co-worker who is saving his money to go to law school, imagines a better life for himself. The other janitors are reconciled to their fates, until Sam, a young and disarming union organizer, opens their eyes. He explains that union janitors enjoy higher wages, paid vacations, and medical benefits. Maya and her friends should join the "Justice for Janitors" campaign, persuading office buildings that hire cheaper, non-union cleaning contractors to work with the Service Employees International Union. Surprised that she has "rights," Maya helps Sam to rally the janitors in her circle, encouraging them to participate in meetings and demonstrations. Maya's political and social awakening is a difficult one. Her rush of empowerment is undercut by Rosa's insistence that her younger sister face certain ugly truths. Rosa reveals that she worked as a prostitute in Mexico to support her parents and siblings and that she had to sleep with her boss to secure Maya her job as a janitor. She does not believe in fairy tale endings and is opposed to any involvement with a union. She warns that if Maya persists in fighting for her rights, there will be a price to pay. Buoyed by her optimism, Maya refuses to believe that she cannot win every battle on her own terms. Her generous, but foolhardy, efforts to help Reuben pay his law school tuition lead her to commit an impromptu convenience store hold-up, and she seems to escape undetected. But every action has its price. Just at the moment when the workers are successful in their efforts to unionize, Maya must face her own harsh realities. In a bittersweet conclusion, she experiences victory and defeat. -- © 2001 Lions Gate [More]

Starring: Adrien Brody, Elpidia Carrillo, Pilar Padilla, George Lopez

Starring: Adrien Brody, Elpidia Carrillo, Pilar Padilla, George Lopez, Benicio Del Toro

Director: Ken Loach

Director: Ken Loach
Screenwriter: Paul Laverty
Producer: Rebecca O'Brien
Composer: George Fenton
Studio: Lions Gate Films

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Release:

Nov 27, 2001

No Details Exist
 
 

Reviews for Bread & Roses

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1 - 20 (sorted by rotten rating)
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N/R

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Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix
N/R

Click to read the article

Full Review Source: Ebert & Roeper | comment Comment
05/17/01
Ebert & Roeper
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
02/09/06
Time Out
N/R

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Full Review Source: This is London | comment Comment
12/15/03
Alexander Walker
Alexander Walker
This is London
N/R

Click to read the article

Full Review Source: Daily Mail [UK] | comment Comment
12/15/03
Christopher Tookey
Christopher Tookey
Daily Mail [UK]
N/R

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Full Review Source: San Diego Metropolitan | comment Comment
10/21/02
Jean Lowerison
Jean Lowerison
San Diego Metropolitan
N/R

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Full Review Source: Cincinnati Enquirer | comment Comment
10/15/02
Margaret A. McGurk
Margaret A. McGurk
Cincinnati Enquirer
N/R

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Full Review Source: New York Magazine | comment Comment
10/29/01
Peter Rainer
Peter Rainer
New York Magazine
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Shadows on the Wall | comment Comment
12/10/01
Rich Cline
Rich Cline
Shadows on the Wall
N/R

Click to read the article

Full Review Source: Denver Rocky Mountain News | comment Comment
08/09/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
Top Critic Icon Top Critic
N/R

... the actual execution unfortunately doesn’t carry the full dramatic weight the movie makers believe.

Full Review Source: Baseline.Hollywood.com | comment Comment
12/04/01
Ted Murphy
Ted Murphy
Baseline.Hollywood.com
N/R

Click to read the article

Full Review Source: Variety | comment Comment
11/27/08
Todd McCarthy
Todd McCarthy
Variety
Top Critic Icon Top Critic

The script's dull, the long improvised scenes could use some polish and inexperienced newcomer Padilla leaves an emotional vacuum in the center of the drama.

Full Review Source: E! Online | comment Comment
05/11/01
E! Online

The problem with Ken Loach's half-Spanish, half-English film isn't the lefty politics, it's that the Brit knows nothing about Los Angeles.

Full Review Source: Salon.com | comment Comment
06/08/01
Andrew O'Hehir
Andrew O'Hehir
Salon.com
Top Critic Icon Top Critic

Builds to the kind of derisorily bittersweet finale that earmarks productions that are infatuated with their own beliefs.

Full Review Source: Matinee Magazine | comment Comment
05/29/01
Chuck Rudolph
Chuck Rudolph
Matinee Magazine

Loach's politics are almost as insultingly simplistic as his melodramatic plotting and one-dimensional characters.

Full Review Source: Citysearch | comment Comment
05/31/01
Dave Kehr
Dave Kehr
Citysearch

A tough sell.

Full Review Source: Slate | comment Comment
06/08/01
David Edelstein
David Edelstein
Slate

Has a sort of straw-man quality.

Full Review Source: Milwaukee Journal Sentinel | comment Comment
06/07/01
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

Loach and screenwriter Paul Laverty draw everything in simplistic, overstated terms.

Full Review Source: San Francisco Chronicle | comment Comment
06/11/01
Edward Guthmann
Edward Guthmann
San Francisco Chronicle
Top Critic Icon Top Critic

The whole thing has a feel of bad propaganda to it.

Full Review Source: Greenwich Village Gazette | comment Comment
05/10/01
Eric Lurio
Eric Lurio
Greenwich Village Gazette
 
 
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