The Breakfast Club (1984)
Runtime: 1 hr 38 mins
Synopsis: When five high school students from different social groups are forced to spend a Saturday together in detention, they find themselves interacting with and understanding each other for the first time. A jock (Emilio Estevez), a criminal (Judd Nelson), a princess (Molly Ringwald), a basket... When five high school students from different social groups are forced to spend a Saturday together in detention, they find themselves interacting with and understanding each other for the first time. A jock (Emilio Estevez), a criminal (Judd Nelson), a princess (Molly Ringwald), a basket case (Ally Sheedy), and a brain (Anthony Michael Hall) talk about everything from parental tension to sex to peer pressure to hurtful stereotypes while serving time. Ultimately, the five find that they may have more in common than they ever imagined and learn more about themselves as well as each other. The only question is, Will they remember what they've learned after they leave detention? Director and writer John Hughes, along with the stellar Brat Pack, cast makes this a memorable, moving film filled with believable dialogue, intelligent humor, and a sufficient dose of high school hijinx. Its timeless appeal makes this film a teen classic along with Hughes's other teen films from the 1980s: SIXTEEN CANDLES and FERRIS BUELLER'S DAY OFF. A great soundtrack features the hit "Don't You (Forget About Me)" by Simple Minds. [More]
Genre: Dramas
Starring: Paul Gleason, Molly Ringwald, Emilio Estevez, Anthony Michael Hall, John Kapelos
Producer: John Hughes, Ned Tanen
Screenwriter: John Hughes
Composer: Gary Chang, Keith Forsey
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Reviews
In nine hours of threatening, bickering and, eventually, poignant (but never maudlin) self-revelation, the stereotypes dissolve and re-form.
John Hughes's 1985 film seems meant to explain 80s youngsters to yesterday's youth, and comes to the comforting conclusion that they're just as alienated, idealistic, and vulnerable as the baby boomers of the 1960s.
One of the few teen-oriented films that truly addresses the troubles of its characters, yet it falters in dealing with the issues raised.
Does director John Hughes really believe, as he writes here, that 'when you grow up, your heart dies.' It may. But not unless the brain has already started to rot with films like this.
An iconic movie of the '80s, with all the unappealing baggage that suggests.
The Breakfast Club was teen-auteur John Hughes' attempt to take a step back and evaluate the large horde of teens our schools turn out and how they desperately search for identity.
Equal parts funny, smart and sincere, it's a movie that delved a little deeper into the teenage psyche and came back with something more challenging than "nerds want sex."
Anyone who has ever been to high school can relate to at least one of these kids.
...Hughes may have been the first filmmaker to attempt to put plausible teenagers on screen
The Breakfast Club doesn't need earthshaking revelations; it's about kids who grow willing to talk to one another, and it has a surprisingly good ear for the way they speak.
Offers a breakthrough portrait of the pain and miunderstanding which result from demeaning social hierarchies set up by teenagers.
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