Brewster McCloud (1971)
Critic Consensus: No consensus yet.
Secretly living underneath the Astrodome, a teen-age boy attempts to build a pair of mechanical wings; meanwhile, in the world outside, the police investigate a series of strange, bird-related deaths. This intentionally bizarre film combines an exploration of flight as a metaphor for non-conformity with surreal, off-the-wall comedy.
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as Brewster McCloud
as Det. Lt. Frank Shaft
as Abraham Wright
as Policeman Johnson
as Daphne Heap
as Policeman Hines
as Police Capt. Crandal...
as Policeman Breen
as Breen's Wife
as Weeks's Aide
as Green Jr.
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Critic Reviews for Brewster McCloud
Altman's unexpected follow-up to MASH is pitched fairly successfully between escapist fantasy and satirical comment on the same.
We get the sense of a live intelligence, rushing things ahead on the screen, not worrying whether we'll understand.
One of Robert Altman's most charming exercises in cabaret humor and off-the-cuff modernism.
Audience Reviews for Brewster McCloud
Altman's most experimental work.
i don't get how the studio ever released this. no way could that happen today. and how much of this was improv? was there a script beyond the basic idea of a strange boy who wants to fly in the houston astrodome? anyway it's a chaotic mess that i'm not sure even makes sense but somehow works, a sort of altman trademark. the device of the lecturer helps tie it all together. many hilarious bits and sally kellerman and shelley duvall are adorable here. god bless the 70's and copious amounts of weed.
"Brewster McCloud" is usually dismissed as a fairly disastrous follow-up to Altman's breakthrough success, "M*A*S*H", but it's actually a charming little movie, well worth a look. Bud Cort plays a latter-day Icarus, building a sophisticated winged apparatus which will enable him to fly under his own power. As well as being guided by a mysterious guardian angel (Sally Kellerman), whose scarred back evidences the surgical removal of her own set of wings(!), Brewster is also protected by a serial strangler, who promptly dispatches any obstructive meddlers in his path. In other hands, this could have been a nauseating slice of hippie whimsicality, but Altman's approach is refreshingly unsentimental and his comedy is often startlingly cruel. The loudspeaker announcements of "M*A*S*H" have been replaced with radio news bulletins, charting the progress of the police's strangler investigation, and a college professor's lecture on birds is cleverly intercut with the action, to illustrate the bird-like foibles of the human race. The standout performances are G. Wood's cynical police captain, Michael Murphy's narcissistic West-Coast super-cop, Stacy Keach's old shylock and Rene Auberjonois' lecturer. Fans of "The Wizard of Oz" will enjoy a reference featuring Margaret Hamilton, the Wicked Witch of the West.
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