It’s just another attractive costume drama, with a few sexy scenes thrown in for spice, and a classical music setting that qualifies this as another difficult-to-market artsy film.
Bride of the Wind (2001)
Tomatometer
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Reviews Counted:65
Fresh:7
Rotten:58
Average Rating:3.6/10
Consensus: Bride of the Wind drags for its length, and Alma, rather than being the proto-feminist the film wants her to be, comes across more as a dilettante of mediocre talent.
Theatrical Release:Jun 8, 2001 Limited
Synopsis: In this semi-biographical tale of Alma Schindler (Sarah Wynter), who became Alma Mahler when she married the famous composer Gustav Mahler (Jonathan Pryce), director Bruce Beresford transports... In this semi-biographical tale of Alma Schindler (Sarah Wynter), who became Alma Mahler when she married the famous composer Gustav Mahler (Jonathan Pryce), director Bruce Beresford transports audiences to Vienna at the turn of the 20th Century. The film explores Alma's relationships not only with Mahler, her first husband, but also with architect Walter Gropius (Simon Verhoeven), artist Oskar Kokoschka (Vincent Perez), and the man with whom she remarried, author Franz Werfel. With excellent casting, these intriguing historical figures are brought back to life through actors that bear impressive physical resemblance to them. The joyous but loveless Gustav Mahler is expertly played by Jonathan Pryce, and maintains a significant role in the film even after his death, through both his music and a lifelike bronze bust that Alma displays prominently in her home. The rest of the story plays up Alma's beauty and her clever pickup lines, colorfully illustrating each move she makes as she learns to attract, charm, and enrapture the men she seduces, ultimately serving as their muse. However, throughout her love affairs, Alma maintains her individuality and her interest in her own musical compositions, which she victoriously produces for a grand performance near the end of the film. Thus, BRIDE OF THE WIND frees itself from its quaint biopic packaging, positioning Alma as a harbinger of women's convictions, rights, and creative talents. [More]
Starring: Sarah Wynter, Jonathan Pryce, Vincent Perez, Simon Verhoeven
Starring: Sarah Wynter, Jonathan Pryce, Vincent Perez, Simon Verhoeven, Marion Rottenhofer, Dagmar Schwarz, August Schmolzer, Johannes Silberschneider
Director: Bruce Beresford
Director: Bruce Beresford
Screenwriter: Marylin Levy
Producer: Mario Kassar, Evzen Kolar, Lawrence Levy
Composer: Gustav Mahler, Alma Mahler, Stephen Endelman
Studio: Paramount Classics
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Reviews for Bride of the Wind
Beresford (Driving Miss Daisy) allows Bride of the Wind to spend too much time spelling out the film's passions in words rather than letting the players show them.
..stumbles under the burden of two-hours of focused, exaggerated emotion...
Beresford and his screenwriter, Marilyn Levy, have a wealth of compelling material at their disposal. But somehow the film doesn't quite cohere.
Disappointingly flat and frustratingly circumscribed, despite a valiant lead performance and eye-catching period settings.
One of the worst biopics I have ever seen, a leaden march through a chronology of Alma's affairs.
As in most film biographies, we suffer from lack of understanding of the motivating forces behind the events of the person's life.
This almost laughably shallow film is ultimately more interested in Alma's outfits than anything else.
Alma Mahler charmed virtually all the creative men of Vienna at the turn of the 20th Century but from Bruce Beresford's staid direction you'd scarcely see why.
Gives us an overly simplistic twofold message. Alma was hot. And she was a supreme rhymes-with-witch.
Watching it is like walking, walking, walking down a never-ending aisle.
This is so bad a film, so clumsy and obvious in its dialogue and plot points, one wonders why it's even being released.
Incredibly superficial and clinically icy, with characters who act so aloof that it's hard to care about what happens to them.
It's biography as burlesque: a little song, a little dance, a little pastry down your pants.
The script provides a barrage of consistently ludicrously banal and pretentious verbiage.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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