Certainly, The Bridesmaid is the most compelling film I have seen this year since Jean-Pierre Melville’s Army of Shadows.
The Bridesmaid (2006)
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Reviews Counted:42
Fresh:38
Rotten:4
Average Rating:7.2/10
Consensus: Chabrol has crafted another sophisticated, unsettling thriller about sinister doings among the bourgeoisie.
Theatrical Release:Aug 4, 2006 Limited
Synopsis: Based on Ruth Rendell's psychologically sharp novel, this film from French auteur Claude Chabrol tells the unsettling story of Philippe (Benoit Magimel), a young man who falls hard for his sister's... Based on Ruth Rendell's psychologically sharp novel, this film from French auteur Claude Chabrol tells the unsettling story of Philippe (Benoit Magimel), a young man who falls hard for his sister's beautiful but extremely unstable bridesmaid Senta (Laura Smet). [More]
Starring: Benoit Magimel, Laura Smet, Aurore Clement, Michael Duchaussoy
Starring: Benoit Magimel, Laura Smet, Aurore Clement, Michael Duchaussoy
Director: Claude Chabrol
Director: Claude Chabrol
Studio: First Run Features
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Reviews for The Bridesmaid
[Chabrol] deliberately uses ambiguity which draws the viewer into considering the psychological complexities of the characters. He never patronizes his audience by spelling out and laboring the obvious.
[Claude Chabrol] may be in the ranks of senior citizens (he's 76 this year) but he's lost none of his youthful audacity and innovation.
Entering his sixth decade, Chabrol remains a master inspector of the criminal heart of the French bourgeoisie.
If you can get past predictable plotting and at least one too-obvious performance, The Bridesmaid offers some delectable arias of resentment and willing self-delusion.
People who like their mysteries to remain just that (and who have a patient nature to boot) could enjoy La demoiselle d'honneur as a minor entry in Chabrol's notoriously uneven filmography.
How does that saying go, 'Always a bridesmaid, never a convicted felon?' Okay, maybe that's not quite right, but it is intriguing and so is this movie.
France's Claude Chabrol, venerable (76) chessman of suspenseful bourgeois rot, moves his pawns superbly again, though we see the checkmate coming.
When the master of French thrillers Claude Chabrol meets the mistress of English suspense fiction Ruth Rendell, the result is a potent if very classic blend.
Chabrol arranges his story with a subtle, almost clinical accumulation. And it takes close attention to the movie's seemingly innocuous details to understand his deeper purposes.
Chabrol's scrutiny of human behavior is remarkable for its laidback intensity and absence of finger-wagging.
Claude Chabrol forgoes suspense to peer into the minds of two people overcome with passion for each other.
Smet, the 22-year-old daughter of Nathalie Baye and French musician Johnny Hallyday, has a hauntingly beautiful face and carries Senta's enigmatic nature well.
...An adaptation of a Ruth Rendell novel that turns out to be a surprisingly good character piece, in addition to having the usual Chabrol qualities.
An understated exercise in edge and intensity worthy of favorable comparison to Alfred Hitchcock. A neo-noir masterpiece!
It uses the extraordinary craft Chabrol has acquired over the decades to insinuate itself inside our psyches in unexpected and potent ways.
Latest News for The Bridesmaid
August 03, 2006:
Critical Consensus: "Descent" and "Talledega" Leave "Listener" and "Barnyard" in the Dust
This week in movies, we've got tough chicks fighting for their lives ("The Descent"), a redneck racing saga ("Talladega Nights: The Ballad of Ricky Bobby"),... More...
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