Clint's movie is muddy, dusty and full of flies. It took a real man like Eastwood to really fall in love.
The Bridges of Madison County (1995)
Tomatometer
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Reviews Counted:39
Fresh:35
Rotten:4
Average Rating:7.1/10
Runtime: 2 hrs 15 mins
Genre: Dramas
Synopsis: The film adaptation of Robert James Waller's wildly popular, bestselling novel. The story takes place in 1965, in the farmlands of Iowa, where bored, middle-aged Italian housewife Francesca has... The film adaptation of Robert James Waller's wildly popular, bestselling novel. The story takes place in 1965, in the farmlands of Iowa, where bored, middle-aged Italian housewife Francesca has just sent her two kids and husband away to the state fair. Shortly thereafter she encounters Robert Kincaid, a mysterious, rugged, "National Geographic" photographer, on assignment taking pictures of Iowa's covered bridges. The two are immediately attracted to each other, and when Francesca invites Robert back to her home, they begin a romantic, sensual, illicit affair that lasts over the next few days. For Francesca, this is the first time in years that she's experienced passion in her life, and she realizes that maybe she's found her true love. Robert feels the same way, and shortly before her family returns home, asks Francesca to run off with him. Francesca now must make an important decision -- one that will affect the rest of her life and could leave her with many regrets... [More]
Starring: Meryl Streep, Clint Eastwood
Starring: Meryl Streep, Clint Eastwood
Director: Clint Eastwood
Director: Clint Eastwood
Screenwriter: Richard La Gravenese
Story: Robert James Waller
Producer: Clint Eastwood, Kathleen Kennedy
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Reviews for The Bridges of Madison County
Immaculately performed, and assembled with wit and sensitivity, this is one of the most satisfying weepies in years.
A more than solid piece of entertainment that proves that romance isn't dead after all.
Bridges is another example of Eastwood's remarkable economy of style as both a director and an actor. It is neither his best work nor his worst, though it is a fascinating exploration.
The Bridges of Madison County is a beautiful film, not only in the way it was photographed, but for the manner through which the characters are revealed to us.
The gap between touchy-feely and touching isn't easy to span, so credit judicious pruning on the one hand and a beefed-up script on the other for getting perhaps the best possible movie out of Robert James Waller's The Bridges of Madison County.
Madison County is Eastwood's gift to women: to Francesca, to all the girls he's loved before -- and to Streep, who alchemizes literary mawkishness into intelligent movie passion.
I've seen the movie twice now and was even more involved the second time, because I was able to pay more attention to the nuances of voice and gesture.
Eastwood and co-star Meryl Streep perform alchemy here; while adhering to whatever it was that sold 5.6 million copies of Waller's book, they've transformed the material into something far better.
In Eastwood's hands, it seems, even divorce can be more romantic than orgasms under the right circumstances.
As director, Eastwood has decided to go for cinematic poetry, and occasionally he manages to achieve just that.
What the movie does that the book couldn't do is tap into the poignancy that comes of seeing two stars who used to be young and beautiful suddenly looking very mortal.
Whether Meryl Streep deserved an Oscar nomination may be debatable, but what's beyond dispute is that scripter Richard LaGravenese and director Clint Eastwood have actually made a better, more enjoyable film than the schmaltzy literary source.
An unlikely choice as director and producer, it's thanks to Eastwood's relatively thin sentimental streak that the film doesn't fall headlong into a lagoon of schmaltz.
Limited by the vapidity of this material while he trims its excesses with the requisite machete, Mr. Eastwood locates a moving, elegiac love story at the heart of Mr. Waller's self-congratulatory overkill.
Given the intelligent restraint of the treatment, this is about as fine an adaptation of this material as one could hope for...
Utter pap, redeemed only by the professionalism of its stars in sub-standard material.
Respect to Clint for putting his cojones on the line to make a 'chick flick,' and utmost respect to him for pulling it off with aplomb.
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