Classic McElwee blending together the personal and the political in his native North Carolina, to which he something of the same ambivalent relation that Faulkner, another son of the South, had to Mississippi.
Bright Leaves (2004)
Tomatometer
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Reviews Counted:57
Fresh:49
Rotten:8
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Theatrical Release:Aug 25, 2004 Limited
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
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Reviews for Bright Leaves
This is a highly personal journey, reminiscent of a smart, sardonic personal essay you might find in Harper's magazine or a quirky, savvy radio piece on NPR's 'This American Life.'
Touches on serious matters with a sly, self-deprecating sense of humor that makes receiving its messages a pleasure rather than a chore.
Ross McElwee ambles through one tobacco-related subject after another... it's too scattered all over the place to be truly informative.
Bright Leaves is not the kind of film that thetruth.com would use in its anti-smoking campaign.
A meandering riff on the dangerous allure of smoking, and more interestingly a meditation on the way motion pictures can preserve our life experiences-- but only to a point.
The filmmaker narrates with droll, front-porch wit, and eases his way into the viewer's heart by sharing a hefty portion of his own.
Bright Leaves is a beguiling film. Watching it is like spending time with an old, somewhat chatty but endearing friend.
Twin concerns of family and place collide perfectly in McElwee's first film in seven years.
It's a meandering visit by a curious man with a quiet sense of humor.
McElwee's autobiographical films ... are leisurely jaunts with a gentle humor that never mocks his subjects.
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