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Bright Leaves (2004)
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Reviews Counted:57
Fresh:49
Rotten:8
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Theatrical Release:Aug 25, 2004 Limited
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
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Reviews for Bright Leaves
It's a gentle rumination on the contradictions, failures and delusions of everyday life. But mainly, it's a quietly satisfying dose of reality.
A transcendent documentary that swirls in a temporarily timeless haze of themes: imagined pasts, shadowy legacies, cinematic heirlooms and the bittersweet landscape of memory.
Like Moore's Fahrenheit 9/11 and Spurlock's Super Size Me, McElwee's Bright Leaves takes on a sizable foe -- in this case, big tobacco -- but with such grace and wit that his message never seems medicinal.
Ross McElwee ambles through one tobacco-related subject after another... it's too scattered all over the place to be truly informative.
Ross McElwee's movies have the rhythms of a person who is writing -- considering this possibility, rejecting that one and ultimately making a decision.
McElwee's autobiographical films ... are leisurely jaunts with a gentle humor that never mocks his subjects.
We are hooked into a low-tech but compelling dynamic -- between relatively static images and McElwee's sensitive, connective narrative.
Ostensibly about an epic betrayal, Bright Leaves spirals beautifully in a hundred different directions.
McElwee, he of the wonderful Sherman's March, noodles delightfully around the South again, only this time in his native North Carolina.
This is one subject for which the passion of Michael Moore would be more appropriate.
Touches on serious matters with a sly, self-deprecating sense of humor that makes receiving its messages a pleasure rather than a chore.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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