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Movies / On DVD / Bright Leaves
Bright Leaves

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Bright Leaves (2004)

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Reviews Counted:57

Fresh:49

Rotten:8

Average Rating:7.4/10

Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.

Rated: Not Rated

Runtime: 1 hr 47 mins

Genre: Education/General Interest

Theatrical Release:Aug 25, 2004 Limited

Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]

Director: Ross McElwee

Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features

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Release:

Jun 21, 2005

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Reviews for Bright Leaves

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41 - 60 (sorted by date)
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McElwee plays a passive role, and his steady monotone keeps the viewer at an emotional distance from his personal issues.

Full Review Source: New Times | comment Comment
10/14/04
Luke Y. Thompson
Luke Y. Thompson
New Times

We are hooked into a low-tech but compelling dynamic -- between relatively static images and McElwee's sensitive, connective narrative.

Full Review Source: Washington Post | comment Comment
10/08/04
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

The results are brilliantly amusing; this is a movie that doesn't make you feel stupid on the way out or like someone has been spraying you in the face while making his talking points.

Full Review Source: Washington Post | comment Comment
10/08/04
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

The filmmaker's rich, husky-voiced narration manages to shape this collection of half-formed ideas and observations into a tightly packed little roll-up that's worth taking a puff on.

Full Review Source: BBC | comment Comment
10/06/04
Jamie Russell
Jamie Russell
BBC
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
09/25/04
Boston Phoenix

Where most documentaries offer us facts to hold on to, [McElwee's] are obsessed with the mystery of things we don't know and never will.

Full Review Source: Boston Globe | comment Comment
09/24/04
Ty Burr
Ty Burr
Boston Globe

You end up wishing it would amass into something more than the sum of its elements.

Full Review Source: Boston Herald | comment Comment
09/24/04
Paul Sherman
Paul Sherman
Boston Herald

Personal yet the opposite of egotistical, truthful yet playful, happily distractible yet patient, and above all grateful for those in the world he loves around him, McElwee makes movies the way life might, ideally, be lived.

Full Review Source: Entertainment Weekly | comment Comment
09/07/04
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

McElwee is digressive in the best sense. He takes the time to discover what people are like when they’re being themselves; he wants to know where their lives are taking them, what byways they are going down.

Full Review Source: New York Magazine | comment Comment
08/29/04
Peter Rainer
Peter Rainer
New York Magazine
Top Critic Icon Top Critic

This rich, complex and surprisingly entertaining film also becomes a meditation on filmmaking and the parallels McElwee finds between cinema and, of all things, smoking.

Full Review Source: TV Guide's Movie Guide | comment Comment
08/27/04
Ken Fox
Ken Fox
TV Guide's Movie Guide

Becomes both a mystery and memoir in progress and though the filmmaker does not find the truth he is looking for, it was clearly a quest worth undertaking.

Full Review Source: New York Daily News | comment Comment
08/26/04
Jack Mathews
Jack Mathews
New York Daily News
Top Critic Icon Top Critic

Ross McElwee shows just how far subtlety can go with his latest charming effort.

Full Review Source: New York Post | comment Comment
08/26/04
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

Deeply personal, morally alert, and highly entertaining.

Full Review Source: Christian Science Monitor | comment Comment
08/26/04
David Sterritt
David Sterritt
Christian Science Monitor

[Director] McElwee is also the rare documentarian who allows for surprises—look for a giant rat in the background (you can’t miss the scene-stealing dog).

Full Review Source: Film-Forward.com | comment Comment
08/25/04
Kent Turner
Kent Turner
Film-Forward.com

A rewardingly personal docu in which the filmmaker deftly uses his specific family legacy as a jumping off point for wry ruminations on American history, the tobacco business, public health and cinematic license.

Full Review Source: Variety | comment Comment
08/24/04
Todd McCarthy
Todd McCarthy
Variety
Top Critic Icon Top Critic

An utterly mundane miracle, a sampling of gentle insight and poetic retrospection quietly at odds with the exploitative culture around it.

Full Review Source: Village Voice | comment Comment
08/24/04
Michael Atkinson
Michael Atkinson
Village Voice
Top Critic Icon Top Critic

[McElwee's] moviemaking skills and beguiling personality more than make up for his egocentric explorations.

Full Review Source: Film Journal International | comment Comment
08/08/04
Rex Roberts
Rex Roberts
Film Journal International

This is one subject for which the passion of Michael Moore would be more appropriate.

Full Review Source: Hollywood Reporter | comment Comment
10/22/03
Frank Scheck
Frank Scheck
Hollywood Reporter

Bright Leaves leaves you feeling invigorated by the boundless curiosity, humor and high spirits of its creator.

Full Review Source: New York Times | comment Comment
10/22/03
Stephen Holden
Stephen Holden
New York Times
Top Critic Icon Top Critic

blends nostalgia, economics, and personal reactions to new information at a perfect pitch that allows for laughter and deeply felt affection

Full Review Source: Filmcritic.com | comment Comment
10/14/03
Rachel Gordon
Rachel Gordon
Filmcritic.com
 
 
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