McElwee plays a passive role, and his steady monotone keeps the viewer at an emotional distance from his personal issues.
Bright Leaves (2004)
Tomatometer
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Reviews Counted:57
Fresh:49
Rotten:8
Average Rating:7.4/10
Consensus: A rich, eccentric documentary about both filmmaking and the tobacco industry.
Theatrical Release:Aug 25, 2004 Limited
Synopsis: Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally... Ross McElwee directs this autobiographical documentary about his family's roots in the tobacco business in North Carolina. Taking a sabbatical from his home in Boston, he offers a culturally interesting history of the South as viewed through the biggest, wealthiest tobacco enterprises. Meanwhile, he examines a Hollywood movie that was based on the same topic, BRIGHT LEAF, the 1950 film set in 1894's tobacco-ruled South, which stars Gary Cooper and Lauren Bacall and was directed by Michael Curtiz (CASABLANCA). Though McElwee doesn't have firm proof, he speculates that the film is actually based on his great grandfather's rise and fall in the tobacco industry, and he splices in segments of that film to illustrate some of his historical points. It goes without saying that BRIGHT LEAVES' dominant purpose, and strongest message, is anti-smoking, and in its grimmer moments the film shows hospitalized victims of smoking-related illnesses, and conducts interviews with those who have lost dear ones to lung cancer. Packaged as an exploratory and educational dabble into McElwee's past, this documentary is enjoyable and enlightening. [More]
Director: Ross McElwee
Director: Ross McElwee
Producer: Ross McElwee
Studio: First Run Features
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Reviews for Bright Leaves
We are hooked into a low-tech but compelling dynamic -- between relatively static images and McElwee's sensitive, connective narrative.
The results are brilliantly amusing; this is a movie that doesn't make you feel stupid on the way out or like someone has been spraying you in the face while making his talking points.
The filmmaker's rich, husky-voiced narration manages to shape this collection of half-formed ideas and observations into a tightly packed little roll-up that's worth taking a puff on.
Where most documentaries offer us facts to hold on to, [McElwee's] are obsessed with the mystery of things we don't know and never will.
You end up wishing it would amass into something more than the sum of its elements.
Personal yet the opposite of egotistical, truthful yet playful, happily distractible yet patient, and above all grateful for those in the world he loves around him, McElwee makes movies the way life might, ideally, be lived.
McElwee is digressive in the best sense. He takes the time to discover what people are like when they’re being themselves; he wants to know where their lives are taking them, what byways they are going down.
This rich, complex and surprisingly entertaining film also becomes a meditation on filmmaking and the parallels McElwee finds between cinema and, of all things, smoking.
Becomes both a mystery and memoir in progress and though the filmmaker does not find the truth he is looking for, it was clearly a quest worth undertaking.
Ross McElwee shows just how far subtlety can go with his latest charming effort.
[Director] McElwee is also the rare documentarian who allows for surprises—look for a giant rat in the background (you can’t miss the scene-stealing dog).
A rewardingly personal docu in which the filmmaker deftly uses his specific family legacy as a jumping off point for wry ruminations on American history, the tobacco business, public health and cinematic license.
An utterly mundane miracle, a sampling of gentle insight and poetic retrospection quietly at odds with the exploitative culture around it.
[McElwee's] moviemaking skills and beguiling personality more than make up for his egocentric explorations.
This is one subject for which the passion of Michael Moore would be more appropriate.
Bright Leaves leaves you feeling invigorated by the boundless curiosity, humor and high spirits of its creator.
blends nostalgia, economics, and personal reactions to new information at a perfect pitch that allows for laughter and deeply felt affection
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