Cassavetes supplies no easy answers or easy laughs, forgoing romantic-comedy beats in respect for Nora's desperation. Call this confection a romantic-dramedy with humor on wry.
Broken English (2007)
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Reviews Counted:72
Fresh:47
Rotten:25
Average Rating:6.3/10
Consensus: Though Broken English eventually settles into basic rom-com territory, it’s pleasant and good-natured, and Parker Posey is spellbinding throughout the movie.
Rated: PG-13 [See Full Rating] for some sexual content, brief drug use and language
Runtime: 1 hr 38 mins
Genre: Comedies
Theatrical Release:2007
Box Office: $818,674
Synopsis: Known mainly for playing quirkily comic characters, Parker Posey shows she can tackle a serious role just as skillfully in Zoe Cassevetes's moving film. BROKEN ENGLISH stars Posey as Nora Wilder, a... Known mainly for playing quirkily comic characters, Parker Posey shows she can tackle a serious role just as skillfully in Zoe Cassevetes's moving film. BROKEN ENGLISH stars Posey as Nora Wilder, a thirtysomething whose disastrous dating experiences in the Big Apple have put her on the verge of giving up all hope when it comes to love and happiness. Constant comparisons to her best friend Audrey's (Drea de Matteo) seemingly perfect marriage, and her overbearing mother's (Gena Rowlands) fixations on her single status wear on Nora, making her vulnerable to even the slightest hint of male attention, like the advances she gets from a sexy and famous actor (Justin Theroux) who begins bunking at the chic hotel where she works. After a string of equally failed attempts, Nora starts to wonder if there's something wrong with her. It's at this ultimate low when a visiting Frenchman (Melvil Poupaud) swoops in with charm and aggressively woos Nora, who, despite being filled with reluctance, cannot shake the feeling that this one might be different. Posey displays palpable desperation and convincing loneliness as a woman at the age when societal pressure to settle down reaches a peak. While many chick lit titles have tackled this topic, Cassavetes does so with realism and respect. She infuses her film with great sadness but also hope, making Nora a unique character despite her potentially clichéd predicament. Unlike BRIDGET JONES, BROKEN ENGLISH never mocks its heroine. Thanks to fine camera work and especially riveting musical touches, Cassavetes brilliantly keeps the audience in Nora's head at all times, filling viewers with the same doubts that her protagonist has, and making us guess what the outcome will be until the very last frame. [More]
Starring: Parker Posey, Melvil Poupaud, Drea de Matteo, Gena Rowlands
Starring: Parker Posey, Melvil Poupaud, Drea de Matteo, Gena Rowlands, Justin Theroux, Peter Bogdanovich
Director: Zoe Cassavetes
Director: Zoe Cassavetes
Screenwriter: Zoe Cassavetes
Producer: Andrew Fierberg, Jason Kliot, Joana Vicente
Studio: Magnolia Pictures
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Reviews for Broken English
It's pretty clear where this is going from the first frame, though Posey's performance does keep you interested.
Broken English establishes a sympathetic character, gets Parker Posey to make her real, and then grinds her in the gears of a plot we cannot believe.
[Cassavetes] treats cliches as fodder for comedy and nuances as the mainstays of a deeper, more beguiling sexual humor. What's engaging about this movie is that all the conventional trysts become low-key nightmare farce.
Parker Posey is one of those rare performers who can elevate a mediocre film into a good one and a good one into a great one simply by the sheer force of her personality.
A welcome chance to see Posey at her flighty, edgy best. Is there an actress alive better able to convey the neuroses and self-doubts of the typical over-educated, under-challenged American woman?
Dares to not wear its heart on its sleeve but expose it crouching in the corner, trying to learn the difference between searching for love and hunting for it.
"Broken English" is a mature romantic comedy that shamelessly digs into a zeitgeist of American female neurosis. It's the best thing Parker Posey has done in years, and more than makes up for her participation in Hal Hartley's recent train wreck "Fay Grim
This is a very uneven effort, it lost me a couple of times, but then I got back into it due to the performances, the understated directing and the writing.
BROKEN ENGLISH isn't a complete washout and Cassavetes does show potential. I had the feeling that like her heroine, she was struggling to find her own voice.
Posey's comedic performances have always had a nervous vulnerability to them; here, she strips away just enough of the comedy to break our hearts.
...there's a resolutely indie spirit at work here that keeps things interesting even when they shouldn't be.
...there are reasons to catch Broken English, chief among them Posey's winning performance as a woman unsure whether to trust her romantic instincts.
Scenes often rely too much on talk rather than on visual solutions, although there's a languid seductiveness to the film's pace...Still, this movie belongs to Posey, and her nuanced performance makes Broken English a worthy adventure.
The fence-straddling would be fatal if it weren’t for Posey, who takes what’s essentially a character sketch and turns it into a three-dimensional mess in a dress.
Although it's conventionally filmed and rather flat looking, the first dramatic feature written and directed by Zoe Cassavetes displays a good deal of her father John's appreciation for unembellished honesty.
Posey does what she can -- her distinctive style is always worth watching, even when her character has a trust fund and whines a lot -- but she has too big of a mountain to climb: writer/director Zoe Cassavetes' listless script and tedious direction.
As a director, Cassavetes is a keen observer of character and social interaction.
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June 21, 2007:
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