Boring, funny, annoying, self-indulgent, loony, beautiful and pretentious.
The Brown Bunny (2004)
Tomatometer
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Reviews Counted:86
Fresh:38
Rotten:48
Average Rating:5/10
Consensus: More dull than hypnotic, The Brown Bunny is a pretentious and self-indulgent bore.
Theatrical Release:Aug 27, 2004 Limited
Synopsis: Vincent Gallo shocked the 2003 Cannes Film Festival with this highly personal film that he wrote, directed, produced, edited, photographed, and stars in. Gallo plays Bud Clay, a motorcycle racer on... Vincent Gallo shocked the 2003 Cannes Film Festival with this highly personal film that he wrote, directed, produced, edited, photographed, and stars in. Gallo plays Bud Clay, a motorcycle racer on his way from New Hampshire to California in a van. The cross-country trip includes stops at a gas station, where Clay meets and falls for a gas station attendant named Violet (Anna Vareschi); a roadside food stand, where he meets the sadly beautiful Lilly (Cheryl Tiegs, making her feature-film debut); and the Las Vegas strip, where he picks up local prostitute Rose (Elizabeth Blake). As he comes into contact with these women, he can't let go of his past, which centers around Daisy (Chloe Sevigny), whom he hopes to find when he returns home to Los Angeles. Nominated for the Palme d'Or at Cannes, THE BROWN BUNNY is a poignant, emotional drama that features long scenes with little or no dialogue, as Gallo uses natural sound and lighting, jazz and folk music, and long, lingering shots of the open road, raindrops on a windshield, and the scraggly-haired protagonist to create a nearly suffocating atmosphere of loss and loneliness. Winner of the FIPRESCI prize at the 2003 Viennale "for its bold exploration of yearning and grief and for its radical departure from dominant tendencies in current American filmmaking," THE BROWN BUNNY is sure to cause a stir because of its infamous and shocking X-rated sex scene near the end of the picture, although it is a tender, soft, and powerfully subtle film. [More]
Starring: Chloe Sevigny, Vincent Gallo, Cheryl Tiegs, Anna Vareschi
Starring: Chloe Sevigny, Vincent Gallo, Cheryl Tiegs, Anna Vareschi, Mary Morasky
Director: Vincent Gallo
Director: Vincent Gallo
Screenwriter: Vincent Gallo
Producer: Vincent Gallo
Studio: Wellspring
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Reviews for The Brown Bunny
It's actually quite interesting, albeit in a supremely self-conscious and artsy-fartsy way.
As evident from The Brown Bunny and his directing debut, Buffalo 66, Gallo is talented, although in an unconventional way.
Gallo has made a credible enough movie about a soul in pain. But he hasn't made a very deep or absorbing one, while simultaneously pumping the thing to bursting with narcissism.
It’s the best film I’ve seen in a while that I wouldn’t recommend to anyone.
If The Brown Bunny feels weirdly indulgent, it’s nothing if not a fiercely personal film — a work of art conjured in the spirit of poetry.
Never have men who wear raincoats to movie theaters had so much in common with the filmmaker.
Gallo was also director, writer, editor and producer, and the ego inherent in that distracts from every frame of this ugly-looking, windshield-splattered road picture.
Neither an atrocity nor a revelation, The Brown Bunny is a very watchable, often beautiful-looking film.
If you think [Gallo's] a brilliant, satirical cut-up, then The Brown Bunny is an elaborate and successful art prank. If you think he's a pretentious, self-obsessed, tedious weirdo, then The Brown Bunny will back you up 100%.
Has the rarefied air of a sophomore indulgence, yet Gallo's talent is there in every frame.
Gallo's earlier work suggests he has directorial talent, but here it's buried beneath too much ego to be detectible.
Though it can lull with its throbbing implosiveness, it can also seduce with its vision of a world at its end, swallowing itself in inexorable inches appalled and revolted.
The first movie I can recall that seems designed not to be paid attention to; must be acknowledged as a film unlike anything most audiences have ever seen.
An existential, experimental film that works if approached from that viewpoint, and sadly from no other.
Despite its languid, almost hypnotic pacing, The Brown Bunny is exalted with enormous suspense.
The Brown Bunny is not simply an exercise. It's genuinely elemental, embarrassingly sincere.
It's hard to imagine how anyone could appreciate this movie, with its inane, repetitious, and pause-filled dialogue; non-existent plot; and stillborn character definition.
A journey is inarticulate, and aside from baggage and loneliness, so are the film's characters.
Latest News for The Brown Bunny
November 04, 2005:
In Other News...Vincent Gallo: Weirder Than We Thought
First there was celebrity air, and then Britney's bra -- now, an even more intimate celebrity item is up for sale: fatherhood. More...
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