Probably a very good play, but it doesn't make the transition to the big screen.
Bug (2007)
Tomatometer
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Reviews Counted:126
Fresh:74
Rotten:52
Average Rating:6.2/10
Consensus: Disappointing resolution aside, Bug uses its claustrophobic setting and cinéma vérité camerawork to tense, impressive effect.
Rated: R [See Full Rating] for some strong violence, sexuality, nudity, language and drug use
Runtime: 1 hr 42 mins
Genre: Horror/Suspense
Theatrical Release:May 25, 2007 Wide
Box Office: $7,006,708
Synopsis: Ashley Judd stars as a lonely waitress in this study in fear and paranoia from director William Friedkin. Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her... Ashley Judd stars as a lonely waitress in this study in fear and paranoia from director William Friedkin. Aggie lives a largely solitary life in Oklahoma, haunted by a sad past and hounded by her ex-con ex-husband (Harry Connick, Jr., WILL & GRACE). When a female friend and occasional lover introduces Aggie to Peter (Michael Shannon, WORLD TRADE CENTER), it seems she has found her match. The pair enters into a cautious romance, but their dark natures fuel more than just passion. Peter reveals that he was a victim of government experimentation that left blood-hungry aphids crawling under his skin, and the couple begins to obsess over the idea that they could be infected by the insects. Based on Tracy Letts's play, BUG is an effective psychological thriller that gets under the audience's skin. Though the film never takes advantage of the freedom of the screen versus the confines of the stage, setting the action almost entirely within the walls of Aggie's hotel room evokes a claustrophobic feeling. Shannon deftly reprises his role from the stage play with a squirm-inducing mass of tics and twitches, but it's Judd who deserves the bulk of the praise. With her role as Aggie, she leaves behind roles such as the romantic comedy lead of SOMEONE LIKE YOU or the revenge-seeking heroine of DOUBLE JEOPARDY. Instead, she's alternately proud and insecure, fully immersing herself in the part of a woman unlike anyone she has played before. Though Friedkin helmed two of the most notable films of the 1970s with THE EXORCIST and THE FRENCH CONNECTION, he hasn't directed many critical successes since. But with its similarities to the moody work of Roman Polanski, this film could represent a return to form for the veteran director. [More]
Starring: Ashley Judd, Harry Connick, Michael Shannon, Lynn Collins
Starring: Ashley Judd, Harry Connick, Michael Shannon, Lynn Collins, Brian F. O'Byrne
Director: William Friedkin
Director: William Friedkin
Screenwriter: Tracy Letts
Producer: Michael Ohoven, Holly Wiersma, Malcolm Petal, Kimberly C. Anderson
Composer: Brian Tyler
Studio: Lions Gate Films
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Reviews for Bug
It is certain to have an impact on anyone who experiences it, even if it's not the movie they expected. It does not just get under your skin; it bores its way into your head.
By the end, the actors look as if they've been beaten to a near pulp, and the audience may share some of that feeling.
You leave feeling alive, if severely disturbed, rather than deadened by the unthinking horrors of the latest slasher films.
When we learn what's eating Agnes, the open arms she extends to Peter feel justified; she's so deep into grief that it hardly matters what happens.
William Friedkin's latest film, Bug, begins as an ominous rumble of unease, and builds to a shriek.
Steppenwolf ensemble member Tracy Letts adapted his play into this fearsome horror movie, directed with single-minded claustrophobia by William Friedkin (The Exorcist).
It's an oddball romantic drama that descends into comic horror and delivers Ashley Judd at full neurotic tilt (a new angle for her).
Although Bug is inconsistent and grows too violent by the end, there's one thing it's not: the same old stuff.
With Bug, William Friedkin continues to be more fascinated by the evil inside our heads than the boogeyman outside.
Blame Lions Gate for neither sending this direct to cable or treating it as the art house movie it is. Instead... they have ensured the film's failure.
This is a crazy, intense creepster of a movie, masterfully directed in great sinking movements. It's The Exorcist for a darker time.
you realize they are just going to keep talking and talking and talking for the whole movie, when you wish they would SHUT UP!
Where Bug succeeds, it does so by inducing in you the same kind of on-edge, constant low-level of terror Agnes lives with on a daily basis, the kind of ordinary distress with modern living that afflicts way too many people.
An excruciating affair, like a bad drug trip that never really rises above its off-Broadway roots.
Supposed to be a serious psychological thriller, an unsettling little number designed to creep us out and make us think. But it's really just junk.
I doubt the film will strike much of a chord with anybody, though, except perhaps with deranged entomologists and the people who love them. Friedkin does an excellent job of keeping the action inside that ultra-dingy motel room cinematic, but to what end?
Its brutal mental and physical outbursts will likely remain the most grueling screen scenes of 2007...but it's a shame Bug isn't more than it cracks up to be.
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September 14, 2007:
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
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| Tomatometer Percentage | Movie |
|---|---|
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