Boasts juicy performances.
Bullets Over Broadway (1994)
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Reviews Counted:53
Fresh:51
Rotten:2
Average Rating:7.9/10
Consensus: Some of Allen's sharpest, most inspired late-period comedy.
Runtime: 1 hr 35 mins
Genre: Comedies
Synopsis: David Shayne (John Cusack, in performance his character that of a young Woody Allen) is an idealistic young playwright whose life (and play) is about to be turned upside down as it heads toward... David Shayne (John Cusack, in performance his character that of a young Woody Allen) is an idealistic young playwright whose life (and play) is about to be turned upside down as it heads toward Broadway. In order to gain financing for GOD OF OUR FATHERS, Shayne agrees to hire Olive Neal (a wonderfully high-squeaking Jennifer Tilly), the actress/girlfriend of Nick Valenti, a potential backer--who also happens to be a gangster. Unfortunately, the lass proves to be not only talent-free but ditzy to boot, a hindrance since she is supposed to play a psychiatrist. But Cheech, Olive's hoodlum bodyguard, proves to be more intuitive artistically than anyone would suspect, as his contributions improve not only Olive's performance but the quality of the flailing play as well. Meanwhile, Shayne must contend with an odd assortment of actors, including the neurotic Eden Brent, with her omnipresent, yapping dog; the pompous Warner Purcell, a corset-wearing overeater; and haughty leading lady Helen Sinclair (a fabulous Dianne Wiest), the aging, boozing diva with whom Shayne begins a romance. The laughs keep coming like rapid machine-gun fire in this riotous Woody Allen farce. [More]
Starring: John Cusack, Dianne Wiest, Jennifer Tilly, Jack Warden
Starring: John Cusack, Dianne Wiest, Jennifer Tilly, Jack Warden, Chazz Palminteri, Rob Reiner, Mary-Louise Parker, Harvey Fierstein, Jim Broadbent, Tracey Ullman, Joe Viterelli, Debi Mazar, Tony Sirico
Director: Woody Allen
Director: Woody Allen
Screenwriter: Woody Allen, Douglas McGrath
Producer: Robert Greenhut
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Release:
Apr 20, 1999
Reviews for Bullets Over Broadway
One of Allen's best and most revealing comedies, as much a moral meditation as it is dazzling fun.
Most of the way this one is a riot, the comedy that Allen fans have been waiting for.
Buzzes with classic one-liners, bright performances and off-the-cuff contemplations about love, art and death.
Woody Allen at his best -- a gem of a Broadway fable with a crafty premise, a raft of brilliant actors at the top of their form and a bouncy, just-for-pleasure attitude.
The most substantive, accessible -- not to mention the funniest -- film that the prolific writer-director has made in years.
The most insightful and deliciously droll look at show business since Robert Altman skewered Hollywood in 1992's The Player.
Has more laughs packed into its exquisitely orchestrated 99 minutes than anything [Allen's] done in nearly 20 years.
An honest attempt at creating farce, albeit one that tweaks the age-old artist's dilemma throughout.
As one-liningly sharp and self-deprecating as you'd expect. If not more so.
The movie is very funny and, in the way it follows its logic wherever it leads, surprisingly tough.
Allen has created one of his post purely entertaining films in years.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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