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Good Morning, Night (2003)
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Reviews Counted:22
Fresh:14
Rotten:8
Average Rating:6.2/10
Theatrical Release:Nov 11, 2005 Limited
Synopsis: The kidnapping and killing of Aldo Moro, Italy's former prime minister and head of the Christian Democrat party, was a cataclysmic event no Italian can forget. Moro was taken hostage by Red Brigade... The kidnapping and killing of Aldo Moro, Italy's former prime minister and head of the Christian Democrat party, was a cataclysmic event no Italian can forget. Moro was taken hostage by Red Brigade members in March 1978; almost two months elapsed while negotiations were pursued in vain. His bullet-riddled body was found on the ninth of May after a phone call alerted the authorities. A shocking crime had been committed and Italy teetered on the edge of political chaos. Marco Bellocchio turns to this troubled period of Italian history in GOOD MORNING, NIGHT, producing a film of immense complexity and devastating emotional power. In GOOD MORNING, NIGHT, we watch as a young woman, Chiara, moves into a new apartment with her boyfriend. On the face of it, she lives an ordinary, routine existence, working in an office and keeping to herself. Her life, however, is a carefully constructed act, concealing her actual existence as a member of the extreme Italian terrorist group, Red Brigade. Specifically, she is a member of a cell that is meticulously planning the kidnapping of a prominent politician, in order that they can 'try' and execute him for his supposed crimes. Following on from his critically acclaimed film MY MOTHER'S SMILE, Bellocchio here presents a superbly realized portrait of a character living in an extreme set of circumstances and struggling to decide whether the choices she is making are truly justified. At a time when terrorist cells and fundamentalism are proliferating around the world, this sensitive and thoughtful film explores the failure of radical ideology and presents an allegory for the death of the socialist dream which transcends its Italian context. The consummate skill of the film-making, the quality of the performances and the intelligence of the script, confirm Bellocchio's position as one of Italian cinema's contemporary masters. --© Wellspring [More]
Starring: Luigi Lo Cascio, Maya Sansa, Roberto Herlitzka
Starring: Luigi Lo Cascio, Maya Sansa, Roberto Herlitzka
Director: Marco Bellocchio
Director: Marco Bellocchio
Studio: Wellspring
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Reviews for Good Morning, Night
Buongiorno, notte fails even as a lyrical meditation on the kidnapping because the characters do not engage the audience at any point.
Despite good intentions, Good Morning, Night simply confirms what most viewers want to believe about themselves.
Proves once again that Bellocchio is not so much a filmmaker than he is an unenthusiastic debater.
The race between her deep-set ideology and burgeoning conscience is a compelling one, but there are too many shortcuts -- from fevered dreams to convenient coincidences -- along the way.
Despite a handful of spirited performances, Bellocchio is unable to move his tale beyond a simple class-war badgering.
[P]otentially fascinating, but doesn’t tap into the humanity of its subjects.
Good Morning, Night is as tired and inconsequential as week-old pasta.
Part reality, part fantasy and all compassion. It is a strangely moving experience for the historically aware filmgoer.
condenses a national tragedy into an intense domestic drama, and uses the image of a household in disarray to suggest the widening cracks of a country at odds with itself.
Good Morning, Night presents a chilling look at the righteous indignation of zealots while at the same time revealing the firepower of empathy and its close relative compassion.
Bellocchio, a former Communist party activist, keenly appreciates the way in which the just causes of the past have been replaced by an uncertainty of action and purpose.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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