Burma VJ would be even more intense without its early announcement that some scenes have been restaged, putting the viewer in a regrettably uncertain relationship to what follows.
Burma VJ (2009)
Tomatometer
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Reviews Counted:47
Fresh:45
Rotten:2
Average Rating:7.6/10
Consensus: A powerfully visceral docu-drama highlighting the evils of censorship and the essential need for freedom of speech.
Rated: Not Rated
Genre: Education/General Interest
Theatrical Release:May 20, 2009 Limited
Synopsis:
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders...
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country. The Burma VJs stop at nothing to make their reportages from the streets of Rangoon.
Their material is smuggled out of the country and broadcast back into Burma via satellite and offered as free usage for international media. The whole world has witnessed single event clips made by the VJs, but for the very first time, their individual images have been carefully put together and at once, they tell a much bigger story. ”Joshua”, age 27, is one of the young video journalists, who works undercover to counter the propaganda of the military regime. Foreign TV crews are suddenly banned from the country, so it’s left to Joshua and his crew to keep the revolution alive on TV screens all over.
With Joshua as the psychological lens, the Burmese condition is made tangible to a global audience so we can understand it, feel it, and smell it. The film offers a unique insight into high-risk journalism and dissidence in a police state, while at the same time providing a thorough documentation of the historical and dramatic days of September 2007, when the Buddhist monks started marching. --© Official Site
Director: Anders Ostergaard
Director: Anders Ostergaard
Producer: Lise-Lense Moller
Composer: Conny Malmqvist
Studio: Oscilloscope Pictures
Reviews for Burma VJ
Narrated by a frightened journalist who trembles as he accumulates forbidden footage and provides a historical viewpoint, "Burma VJ" uses shocking video images and reconstructed scenes to create a coherent, mostly chronological account of what happened.
In traditional terms, this is hardly a film at all. It's more like a bootlegged YouTube video.
Although directed by Denmark's Anders Ostergaard, the true heroes of Burma VJ are the cadres of guerrilla video journalists who secretly filmed the junta's brutal suppression of the popular revolt in the fall of 2007.
Ostergaard could have just thrown this together like coleslaw and Burma VJ still would be an important documentary.
Watching these brave amateurs is pretty compelling, which is a good thing.
An awe-inspiring documentary by Denmark's Anders Ostergaard that tracks how the news escaped in 2007 during Burma's civil uprising.
Thanks to the new guerrilla narrative, the world has a constant flow of images to file in its collective consciousness. And that camera-testable accountability slowly becomes a global civic right that fulfills the noblest purpose of journalism.
Watch this and you will long remember Burma - and briefly join a revolution.
Demonstrates what can be done through the ingenious use of small cameras and mobile phones by brave, resourceful opponents of repressive regimes, and it deserves to be shown widely.
Burma VJ (Video Journal) is as gripping as any Hollywood thriller - and as heartbreaking as any weepie as we watch the celebratory mood that briefly blossomed in Rangoon give way to appalling violence.
Burma VJ documents the work of such courageous journalists, who, at the risk of imprisonment or worse, film antigovernment activities using small consumer cameras.
It’s a flawlessly constructed piece of work, as relentlessly gripping as it is educational, a righteous and even uplifting paean to the continued importance of collective protest.
Transcending all questions of quality, this remarkable expose raises integral questions about human rights and investigative journalism. Can a film bring down the government? Not likely. Can it change the world? No doubt.
With visceral power, they show how the support of Burma's monks gave vital authority to the protests.
Not particularly well-rounded then, but any film that gives voice to the oppressed while raising global awareness has got to be a good thing.
Shaky recordings, interspersed with reconstruction scenes at the VJ HQ, look surprisingly sharp and give Burma VJ an unforgettable and powerful immediacy.
As a film it is uneven but as a news document it is uncompromising and compelling.
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