Ostergaard has woven stunning footage with invasive reenactments that confusingly blur the line between what's real and what's recreated, undermining the vivid, first-hand accounts that should be the film's spine.
Burma VJ (2009)
Tomatometer
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Reviews Counted:48
Fresh:46
Rotten:2
Average Rating:7.6/10
Consensus: A powerfully visceral docu-drama highlighting the evils of censorship and the essential need for freedom of speech.
Rated: Not Rated
Genre: Education/General Interest
Theatrical Release:May 20, 2009 Limited
Synopsis:
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders...
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country. The Burma VJs stop at nothing to make their reportages from the streets of Rangoon.
Their material is smuggled out of the country and broadcast back into Burma via satellite and offered as free usage for international media. The whole world has witnessed single event clips made by the VJs, but for the very first time, their individual images have been carefully put together and at once, they tell a much bigger story. ”Joshua”, age 27, is one of the young video journalists, who works undercover to counter the propaganda of the military regime. Foreign TV crews are suddenly banned from the country, so it’s left to Joshua and his crew to keep the revolution alive on TV screens all over.
With Joshua as the psychological lens, the Burmese condition is made tangible to a global audience so we can understand it, feel it, and smell it. The film offers a unique insight into high-risk journalism and dissidence in a police state, while at the same time providing a thorough documentation of the historical and dramatic days of September 2007, when the Buddhist monks started marching. --© Official Site
Director: Anders Ostergaard
Director: Anders Ostergaard
Producer: Lise-Lense Moller
Composer: Conny Malmqvist
Studio: Oscilloscope Pictures
Reviews for Burma VJ
The news footage, so powerful on its own, needs no enhancement. The dramatized scenes only slow the film's momentum.
This film about video journalists who captured images of soldiers attacking unarmed monks sends out a powerful message about the evils of censorship.
Burma VJ is a rich, thought-provoking film not only because of the story it tells, but also because of the perspective it offers.
An incredible documentary that serves as a remarkable testament to the power of the recorded image.
An important docu-drama with all the tension and immediacy of a political thriller.
the footage, with the picture jumping as frenetically as the protesters being filmed, brings home as nothing else quite can the energy and the danger of the events depicted
Suspenseful and captivating...[It] finds just the right balance between entertaining the audience and provoking them intellectually as well as emotionally, without a dull moment from start to finish.
Burma VJ: Reporting from a Closed Country reignites the gut-wrenching ethos of early cinema verite as it reaffirms the power of "film truth" and the imperative for freedom of speech as a fundamental human right.
Burma VJ articulates a circular, daunting, and inevitable logic: visibility = life.
Burma VJ (Video Journal) is as gripping as any Hollywood thriller - and as heartbreaking as any weepie as we watch the celebratory mood that briefly blossomed in Rangoon give way to appalling violence.
Embedded within this meta-testament to the brave Burmese souls who risk all is a reminder that, in our era of info overload (too much imagery, too many screens!), technology is the next-gen frontier for fighting oppression.
Thanks to the new guerrilla narrative, the world has a constant flow of images to file in its collective consciousness. And that camera-testable accountability slowly becomes a global civic right that fulfills the noblest purpose of journalism.
Anyone who doubts that a single individual can make a political impact should see Anders Ostergaard’s gripping documentary.
Not particularly well-rounded then, but any film that gives voice to the oppressed while raising global awareness has got to be a good thing.
An incredibly moving documentary about the courage of an underground group of video journalists who bring to the world images of the 2007 protests in Burma
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