Even as the news-gathering apparatus in the US and elsewhere falters under the weight of new technology and outdated business models, Burma VJ is a fresh reminder that reporters can and must serve as a necessary Paine in the rear.
Burma VJ (2009)
Tomatometer
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Reviews Counted:49
Fresh:47
Rotten:2
Average Rating:7.7/10
Consensus: A powerfully visceral docu-drama highlighting the evils of censorship and the essential need for freedom of speech.
Rated: Not Rated
Genre: Education/General Interest
Theatrical Release:May 20, 2009 Limited
Synopsis:
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders...
Armed with small handy cams undercover Video Journalists in Burma keep up the flow of news from their closed country. Going beyond the occasional news clip from Burma, acclaimed director Anders Østergaard, brings us close to the video journalists who deliver the footage. Though risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they insist on keeping up the flow of news from their closed country. The Burma VJs stop at nothing to make their reportages from the streets of Rangoon.
Their material is smuggled out of the country and broadcast back into Burma via satellite and offered as free usage for international media. The whole world has witnessed single event clips made by the VJs, but for the very first time, their individual images have been carefully put together and at once, they tell a much bigger story. ”Joshua”, age 27, is one of the young video journalists, who works undercover to counter the propaganda of the military regime. Foreign TV crews are suddenly banned from the country, so it’s left to Joshua and his crew to keep the revolution alive on TV screens all over.
With Joshua as the psychological lens, the Burmese condition is made tangible to a global audience so we can understand it, feel it, and smell it. The film offers a unique insight into high-risk journalism and dissidence in a police state, while at the same time providing a thorough documentation of the historical and dramatic days of September 2007, when the Buddhist monks started marching. --© Official Site
Director: Anders Ostergaard
Director: Anders Ostergaard
Producer: Lise-Lense Moller
Composer: Conny Malmqvist
Studio: Oscilloscope Pictures
Reviews for Burma VJ
Burma VJ: Reporting from a Closed Country reignites the gut-wrenching ethos of early cinema verite as it reaffirms the power of "film truth" and the imperative for freedom of speech as a fundamental human right.
Transcending all questions of quality, this remarkable expose raises integral questions about human rights and investigative journalism. Can a film bring down the government? Not likely. Can it change the world? No doubt.
Burma VJ is doubtless meant to serve as a tribute to the courage and indomitability of humans thrust into dire situations, but it can just as easily be seen as a sobering example of the evil that men do.
An important docu-drama with all the tension and immediacy of a political thriller.
Burma VJ (Video Journal) is as gripping as any Hollywood thriller - and as heartbreaking as any weepie as we watch the celebratory mood that briefly blossomed in Rangoon give way to appalling violence.
The footage, smuggled to Norway via Thailand, is raw and compelling. The story of how it was sneaked out is worthy of the best thrillers.
Watching these brave amateurs is pretty compelling, which is a good thing.
In traditional terms, this is hardly a film at all. It's more like a bootlegged YouTube video.
Anders Ostergaard’s documentary mixes a small amount of re-enactment – scenes of the Thai-based boss co-ordinating action by phone – with large amounts of scary, shocking or in some cases infamously celebrated footage.
Although directed by Denmark's Anders Ostergaard, the true heroes of Burma VJ are the cadres of guerrilla video journalists who secretly filmed the junta's brutal suppression of the popular revolt in the fall of 2007.
With visceral power, they show how the support of Burma's monks gave vital authority to the protests.
Ostergaard could have just thrown this together like coleslaw and Burma VJ still would be an important documentary.
the footage, with the picture jumping as frenetically as the protesters being filmed, brings home as nothing else quite can the energy and the danger of the events depicted
Burma VJ -- for video journalist -- is filmmaking at its most fearless, with [director] Ostergaard creating a suspenseful, harrowing account of his original key subject, known only as 'Joshua.'
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