[Piñeyro] carefully builds unreleased sexual tensions, heat, thickness and boredom to make the movie's otherwise slow-moving centerpiece pulsate.
Burnt Money (2001)
Tomatometer
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Reviews Counted:29
Fresh:22
Rotten:7
Average Rating:6.5/10
Consensus: Burnt Money tells a stylish and steamy story about criminals on the lam.
Theatrical Release:Oct 19, 2001 Limited
Synopsis: When two gay thugs Angel (Eduardo Noriega) and El Nene (Leonardo Sbaraglia) join a plan to hold up an armored truck with a group of seasoned gangsters, their love and loyalty to each other is... When two gay thugs Angel (Eduardo Noriega) and El Nene (Leonardo Sbaraglia) join a plan to hold up an armored truck with a group of seasoned gangsters, their love and loyalty to each other is tested. Angel is wounded by police gunfire during the robbery, forcing El Nene to kill them all in a fit of rage. Things become complicated when they escape to Uruguay and the police threaten to torture the driver's moll if she doesn't tell them where they are. With their pictures plastered on the cover of every paper, drowning in drugs and alcohol, the gang begins to bicker. Against his boss's wishes El Nene leaves the apartment and roams the streets where he meets a prostitute named Giselle (Leticia Bredice) in whom he begins to trust. Director Marcelo Piñeyro, whose films have been both critically acclaimed and commercially successful, is one of the most important figures in contemporary cinema in Argentina. His fourth film is a delicate balance of a gripping bloodbath and a moving, tender love story. BURNT MONEY is based on a book by Ricardo Piglia and was inspired by a true story of a famous bank robbery in Buenos Aires in the 1960s. This film was screened in April 2001 at the Walter Reade Theater in New York City as part of a New Argentine Cinema festival organized by the Film Society of Lincoln Center. [More]
Starring: Eduardo Noriega, Leonardo Sbaraglia, Pablo Echarri, Leticia Bredice
Starring: Eduardo Noriega, Leonardo Sbaraglia, Pablo Echarri, Leticia Bredice, Marcelo Figueras
Director: Marcelo Pineyro
Director: Marcelo Pineyro
Producer: Oscar Kramer
Composer: Osvaldo Montes
Studio: Strand Releasing
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Reviews for Burnt Money
Burnt Money is all noirish and atmospheric and edgy to look at, but the mixture of crime and intense love doesn't meld.
Its highlight comes in a cunning series of cuts that fade between fellatio performed at gunpoint with genuflection at the foot of a crucifix.
The key to a good crime film lies in its power to seduce us into its world of senseless violence that has no way to end except badly. The allure of Burnt Money with its amoral, sensual antiheroes, lush locales, and lurid situation seduces more than most.
Those who hang in for the long haul are rewarded with a sexy, moving love story.
Piñeyro's solution for every predictable plot advancement and character relationship is a lot of frantic arm-waving, as though to insist, 'But these gangsters are gay!'
Are we any the wiser at the end of this exercise in beautiful, messed-up nihilism? Not a bit. Could we stop watching? Not for a moment.
Directed with enough (borrowed) style by Marcelo Pineyro that we barely notice its lack of original ideas.
This bed-swapping crime story is ultimately too protracted, but Piñeyro's direction is richly atmospheric, full of noir shadows and strong period detail.
Burnt Money has a stylish look and a fair amount of hot and heavy sex (mostly hetero), and the final shootout is pretty nifty.
A guilty pleasure teeming with enough straight and gay sex, nudity, sweat and violence to please any cult film enthusiast.
Piñeyro ... meticulously keeps pumping the tension until it's no longer a question of what's going to happen, but when.
The twins -- ragged, cool-eyed and inseparable -- are this movie's swinging stopwatch, mesmerizing the viewer with the fierce back-and-forth of their romance.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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