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Bus 174 (2003)
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Reviews Counted:72
Fresh:72
Rotten:0
Average Rating:8.3/10
Theatrical Release:Oct 8, 2003 Limited
Box Office: $140,901
Synopsis: June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people... June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people fell victim to a dangerous hijacking on a bus near the city's historic botanical gardens. A lone gunman, seemingly insane or under the influence of narcotics, held his victims captive as authorities--and television cameras--surrounded the parked bus. Unable to determine his motives or purpose, the authorities stood their ground for four hours and tried to talk the hijacker into giving himself up. Meanwhile, the television cameras recorded every second with shocking intimacy, capturing the attention of the entire nation for the duration of the standoff. Jose Padilha's nail-biting documentary thrillingly recounts the events of that fateful day, and also gives voice to the hijacker, 21-year-old Sandro do Nascimento. At a very young age, Sandro watched his mother be murdered. Later, as an orphaned teenager living on the streets of Rio, he survived the brutal police slaughter of several of his homeless friends. Poor, hopeless, and hooked on cocaine, Sandro finally reached his breaking point. Padilha's unflinching thriller boldly gives voice to Nascimento, proving that he also was a victim in this unfortunate situation. [More]
Director: José Padilha
Director: José Padilha
Producer: Marcus Prado, José Padilha
Composer: João Nabuco
Studio: ThinkFilm
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Reviews for Bus 174
It's scarier than a horror movie and sadder than anything you'll witness at the movies this year, but it's essential viewing all the same.
A deceptively straightforward film that has the force of tragedy and the depth of first-rate investigative journalism.
At once an overview of the crime-poverty cycle, a discomforting police procedural, and a re-sensitization to action-movie tropes, Bus 174 is one of the most thoughtful films of 2003
Whatever your political stripe happens to be, or your views on the responsibilities of government, this is provocative stuff.
This ain’t no action movie, this is some real s***. Captures the event [of a bus hijacking] in a way that is far more visceral than any blockbuster suspense film could reproduce
It shows us the spectacle of what happened while explaining the many factors why. It is extraordinary in the way it balances the sensational with the sensible.
While the hostage-taking story alone is compelling drama, Brazilian documentarian José Padilha pushes the story further, making a compelling case that the incident was an inevitable result of a city that treats street kids as vermin.
There's more to this hostage situation than meets the eye, including a shocking Law & Order twist, and it provides a startling demonstration of the Heisenberg principle that observing something automatically changes it.
Padilha edits the lethal standoff into a human tragedy, a journalistic thriller and a powerhouse social drama.
Powerful stuff. Almost certain to convert its audience from passive observer to People Who Give a Damn.
With its near-perfect blend of live news footage and expository interviews, Bus 174 grabs you by the throat and threatens never to let you go.
A fascinating account, if less urgently compelling than it might have been.
A sizzling Brazilian real-life documentary by director Jose Padilha that outdoes reality TV in its dosage of reality.
What starts off as a documentary about a hostage crisis in Rio de Janeiro deepens with every passing minute. By the end, you realize you've seen an extraordinary movie, easily one of the best of the year.
A piece of investigative reportage that is as compassionate as it is riveting.
Padilha sheds light on numerous social catastrophes and hypocrisies plaguing Rio de Janeiro and the incestuous, complex relationship between real life and reality television.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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