Padilha is onto so many issues sparked by one relatively simple act of crime.
Bus 174 (2003)
Tomatometer
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Reviews Counted:72
Fresh:72
Rotten:0
Average Rating:8.3/10
Theatrical Release:Oct 8, 2003 Limited
Box Office: $140,901
Synopsis: June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people... June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people fell victim to a dangerous hijacking on a bus near the city's historic botanical gardens. A lone gunman, seemingly insane or under the influence of narcotics, held his victims captive as authorities--and television cameras--surrounded the parked bus. Unable to determine his motives or purpose, the authorities stood their ground for four hours and tried to talk the hijacker into giving himself up. Meanwhile, the television cameras recorded every second with shocking intimacy, capturing the attention of the entire nation for the duration of the standoff. Jose Padilha's nail-biting documentary thrillingly recounts the events of that fateful day, and also gives voice to the hijacker, 21-year-old Sandro do Nascimento. At a very young age, Sandro watched his mother be murdered. Later, as an orphaned teenager living on the streets of Rio, he survived the brutal police slaughter of several of his homeless friends. Poor, hopeless, and hooked on cocaine, Sandro finally reached his breaking point. Padilha's unflinching thriller boldly gives voice to Nascimento, proving that he also was a victim in this unfortunate situation. [More]
Director: José Padilha
Director: José Padilha
Producer: Marcus Prado, José Padilha
Composer: João Nabuco
Studio: ThinkFilm
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Reviews for Bus 174
It's a chilling tale that leaves us with the fear that Latin America's exploding social problems may well be beyond solution.
An extraordinary portrait of a life lived always in the shadow of despair.
Bus 174 eschews a sensationalistic treatment of a hijacking in Brazil and focuses instead on its root causes of poverty and the plight of the street people in Rio de Janeiro.
With its near-perfect blend of live news footage and expository interviews, Bus 174 grabs you by the throat and threatens never to let you go.
At once an overview of the crime-poverty cycle, a discomforting police procedural, and a re-sensitization to action-movie tropes, Bus 174 is one of the most thoughtful films of 2003
Padilha edits the lethal standoff into a human tragedy, a journalistic thriller and a powerhouse social drama.
Takes a single event that is compelling on its own and then takes it that much further by raising a question that's easy to ask but not always easy to answer - why?
Padhila's carefully assembled documentary has the fascination of a car wreck -- only any number of social themes ripple through this real drama.
A piece of investigative reportage that is as compassionate as it is riveting.
If you have seen the masterful 2002 Brazilian film City of God or the 1981 film Pixote, both about the culture of Rio's street people, then Bus 174 plays like a sad and angry real-life sequel.
A pulse-pounding piece of documentary reportage, and a terribly important account of a social problem in developing countries that won't be going away anytime soon.
Whatever your political stripe happens to be, or your views on the responsibilities of government, this is provocative stuff.
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