There's no denying the subject matter is compelling, and the heightened sense of tension goes a long way toward redeeming the film.
Bus 174 (2003)
Tomatometer
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Reviews Counted:72
Fresh:72
Rotten:0
Average Rating:8.3/10
Theatrical Release:Oct 8, 2003 Limited
Box Office: $140,901
Synopsis: June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people... June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people fell victim to a dangerous hijacking on a bus near the city's historic botanical gardens. A lone gunman, seemingly insane or under the influence of narcotics, held his victims captive as authorities--and television cameras--surrounded the parked bus. Unable to determine his motives or purpose, the authorities stood their ground for four hours and tried to talk the hijacker into giving himself up. Meanwhile, the television cameras recorded every second with shocking intimacy, capturing the attention of the entire nation for the duration of the standoff. Jose Padilha's nail-biting documentary thrillingly recounts the events of that fateful day, and also gives voice to the hijacker, 21-year-old Sandro do Nascimento. At a very young age, Sandro watched his mother be murdered. Later, as an orphaned teenager living on the streets of Rio, he survived the brutal police slaughter of several of his homeless friends. Poor, hopeless, and hooked on cocaine, Sandro finally reached his breaking point. Padilha's unflinching thriller boldly gives voice to Nascimento, proving that he also was a victim in this unfortunate situation. [More]
Director: José Padilha
Director: José Padilha
Producer: Marcus Prado, José Padilha
Composer: João Nabuco
Studio: ThinkFilm
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Reviews for Bus 174
A searing and fascinating example of a 'ripped from the headlines' story expanded to uncover some uncomfortable truths about how a nation handles its social problems.
A gripping film...even more effective for being a somewhat muted, well-modulated one, characterized by resigned grief rather than anger.
In a city that continually hides its social problems among the shadows, it's inevitable that the surest light to reveal them would come from a muzzle flash.
Whatever your political stripe happens to be, or your views on the responsibilities of government, this is provocative stuff.
Interviews, images and events accumulate, driving the story to its sad end with the implacable momentum of a Greek tragedy.
A shattering piece of filmmaking that successfully ties the suspense of a real-time crime with the tragedy of a larger social ill. It will make you feel something.
Powerful stuff. Almost certain to convert its audience from passive observer to People Who Give a Damn.
There's more to this hostage situation than meets the eye, including a shocking Law & Order twist, and it provides a startling demonstration of the Heisenberg principle that observing something automatically changes it.
Padilha edits the lethal standoff into a human tragedy, a journalistic thriller and a powerhouse social drama.
A piece of investigative reportage that is as compassionate as it is riveting.
Whenever we return to that bus, the action is as riveting as in any thriller.
Padhila's carefully assembled documentary has the fascination of a car wreck -- only any number of social themes ripple through this real drama.
It shows us the spectacle of what happened while explaining the many factors why. It is extraordinary in the way it balances the sensational with the sensible.
With its near-perfect blend of live news footage and expository interviews, Bus 174 grabs you by the throat and threatens never to let you go.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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