The movie brilliantly uses this intense narrative as a platform from which to observe some of the deeper flaws in Brazilian culture.
Bus 174 (2003)
Tomatometer
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Reviews Counted:72
Fresh:72
Rotten:0
Average Rating:8.3/10
Theatrical Release:Oct 8, 2003 Limited
Box Office: $140,901
Synopsis: June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people... June 12, 2000, is a day that will forever be remembered by the people of Brazil. Early that morning, as the citizens of Rio de Janeiro woke up and made their way to work and school, several people fell victim to a dangerous hijacking on a bus near the city's historic botanical gardens. A lone gunman, seemingly insane or under the influence of narcotics, held his victims captive as authorities--and television cameras--surrounded the parked bus. Unable to determine his motives or purpose, the authorities stood their ground for four hours and tried to talk the hijacker into giving himself up. Meanwhile, the television cameras recorded every second with shocking intimacy, capturing the attention of the entire nation for the duration of the standoff. Jose Padilha's nail-biting documentary thrillingly recounts the events of that fateful day, and also gives voice to the hijacker, 21-year-old Sandro do Nascimento. At a very young age, Sandro watched his mother be murdered. Later, as an orphaned teenager living on the streets of Rio, he survived the brutal police slaughter of several of his homeless friends. Poor, hopeless, and hooked on cocaine, Sandro finally reached his breaking point. Padilha's unflinching thriller boldly gives voice to Nascimento, proving that he also was a victim in this unfortunate situation. [More]
Director: José Padilha
Director: José Padilha
Producer: Marcus Prado, José Padilha
Composer: João Nabuco
Studio: ThinkFilm
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Reviews for Bus 174
What starts off as a documentary about a hostage crisis in Rio de Janeiro deepens with every passing minute. By the end, you realize you've seen an extraordinary movie, easily one of the best of the year.
This is patient filmmaking, trading sensationalism for the rewards of investigation.
It operates as a multi-pronged critique of a society in which the media, the police, the state and public itself are implicated in precisely the kind of violence that gripped the nation of Brazil that day.
Padilha does much more than just present a hostage situation. He hunts down people who knew Nascimento and reconstructs his tortured life.
It is Padilha's sensitivity, thoroughness, persistence and artful assembly of all the angles on this story that gets us heart-wrenchingly close to understanding the 'why.'
Takes a single event that is compelling on its own and then takes it that much further by raising a question that's easy to ask but not always easy to answer - why?
If you have seen the masterful 2002 Brazilian film City of God or the 1981 film Pixote, both about the culture of Rio's street people, then Bus 174 plays like a sad and angry real-life sequel.
It's scarier than a horror movie and sadder than anything you'll witness at the movies this year, but it's essential viewing all the same.
A compelling, heartbreaking story of a human being -- one of many -- who was simply tired of being a nowhere man.
A thoughtful, analytical yet still emotional film, meticulously investigated and absolutely compelling.
Here is a model example of how TV footage and documentary interviews can both reconstruct an event and help us understand it.
It may no longer be so original to tells stories from multiple points of view (witness NBC's "Boomtown"), but Padilha does an admirable job, just as he explores the larger implications of today's over-hyped media events, which usually get saturation cover
Padilha sheds light on numerous social catastrophes and hypocrisies plaguing Rio de Janeiro and the incestuous, complex relationship between real life and reality television.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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