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Movies / On DVD / The Business of Fancydancing
The Business of Fancydancing

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The Business of Fancydancing (2002)

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57 %
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Reviews Counted: 30

Fresh: 17

Rotten:13

Average Rating: 5.7/10

Runtime: 1 hr 43 mins

Genre: Dramas

Synopsis: "Buddies Forever, Man!" A poetic story of growth, death and the choices that define us, The Business of Fancydancing reunites Spokane Reservation best friends Aristotle Joseph (Gene Tagaban) and... "Buddies Forever, Man!" A poetic story of growth, death and the choices that define us, The Business of Fancydancing reunites Spokane Reservation best friends Aristotle Joseph (Gene Tagaban) and Seymour Polatkin (Evan Adams) sixteen years after their high school graduation. Beginning with a brief flashback to the young men's enthusiastic look to the unlimited future, the film mirrors both Aristotle and Seymour as they leave the "rez" for college in Seattle. Though these co-valedictorians left the rez for the white world in an identical state of excitement, their success in Seattle would ultimately differ dramatically and eventually set them against one another. As Seymour flourishes in college and embraces the advantages and opportunities in the white world, things don't go as well for Aristotle . The rift between the two former friends opens wider as Seymour builds a successful literary career as a poet, becoming (as Aristotle describes him), "the little public relations warrior," and the not-entirely willing spokesman for all American Indians, many of whom can't stomach him. Complicating Seymour's life further is news of the sudden death of his childhood friend, Mouse (Swil Kanim), a talented violinist and the cynical jester of the rez. Seymour feels obligated to return for the first time in years to the people who would probably prefer that he just stay away. His white lover, Steven, would also prefer Seymour not turn back to his past, and fears that if Seymour goes, he might not come back. "They're not your tribe anymore, I'm your tribe." The only person on the rez who seems to welcome Seymour is his college girlfriend, Agnes Roth (Michelle St. John), who though not rez-born and raised, is half-Jewish and half Spokane Indian. Though in love with Seymour in college, Agnes had the unfortunate experience of being the second person to learn that Seymour was gay, and as a result hasn't seen him for years. Agnes' perspective of the past is more forgiving then others' however, perhaps colored by her present life as a schoolteacher on the Spokane reservation. Once at the wake, tensions are heightened as Aristotle and Agnes have now become lovers, and Aristotle's long festering bitterness is dangerously exposed by Seymour's arrival. One by one, memories of Mouse are shared...and eventually it is Seymour's turn to speak. Does anyone want to hear him? Does he even have anything to say? The secrets of these people and their pasts are coaxed out by way of interspersed interviews conducted by a very aggressive woman (Rebecca Carroll). Sitting confrontationally in a black room situated between our world and the next, the unnamed interviewer continually pushes for answers in an unanswerable situation, drawing the audience ever nearer to the heart of Alexie's story. -- © 2002 Falls Apart Productions [More]

Starring: Evan Adams, Michelle St. John, Cynthia Geary

Starring: Evan Adams, Michelle St. John, Cynthia Geary

Director: Sherman Alexie

Director: Sherman Alexie
Screenwriter: Sherman Alexie

[See More Credits]

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Release:

Jul 8, 2003

No Details Exist
 
 

Reviews for The Business of Fancydancing

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
04/07/09
Dennis Harvey
Variety
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Time Out | comment Comment
06/24/06
Time Out
Top Critic Icon Top Critic

Click to read the article

Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat
Top Critic Icon Top Critic

No review available.

comment Comment
10/01/05
Emanuel Levy
EmanuelLevy.Com

No review available.

comment Comment
09/21/05
Michael Szymanski
Zap2it.com

...laudable, if occasionally muddled and overlong...

Full Review Source: New Times | comment Comment
10/09/03
Luke Y. Thompson
New Times

This film makes it abundantly clear what happens to those who leave whatever culture they are part of, whether it be an ethnic group, a sexual group or an educational sphere.

Full Review Source: Film Threat | comment Comment
12/08/02
Doug Brunell
Film Threat

Feels a bit like a racy after-school special.

Full Review Source: Boston Globe | comment Comment
11/27/02
Janice Page
Boston Globe
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N/R

Click to read the article

Full Review Source: Houston Chronicle | comment Comment
11/23/02
Houston Chronicle
Top Critic Icon Top Critic

An admirable DIY production, but [one] whose stylistic overreaches and poor execution drown out its aims and substance. Also, it's just pretty damn boring at times.

Full Review Source: Entertainment Today | comment Comment
10/28/02
Brent Simon
Entertainment Today

Where it goes wrong is in the combination of poetic sensibilities and run-of-the-mill narrative cinema.

Full Review Source: Hollywood Reporter | comment Comment
10/25/02
David Hunter
Hollywood Reporter
Top Critic Icon Top Critic

It bristles with a passion and intelligence too intense to allow the film's style to seem pretentious.

Full Review Source: Los Angeles Times | comment Comment
10/24/02
Kevin Thomas
Los Angeles Times
Top Critic Icon Top Critic

Alexie's relatively novel take on the quintessentially American story of being stranded between cultures is compelling.

Full Review Source: L.A. Weekly | comment Comment
10/24/02
Hazel-Dawn Dumpert
L.A. Weekly

This string of fragmented scenes often feels trite and polemical.

Full Review Source: TV Guide's Movie Guide | comment Comment
10/18/02
Maitland McDonagh
TV Guide's Movie Guide

Pretentious when it should be penetrating, spasmodic when it means to be lyrical.

Full Review Source: New York Post | comment Comment
10/18/02
Megan Turner
New York Post
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An often affecting, low-budget melodrama that is occasionally sabotaged by its economy of means.

Full Review Source: New York Times | comment Comment
10/17/02
Elvis Mitchell
New York Times
Top Critic Icon Top Critic

The predictable conflicts ensue, often in histrionic dialogue declaimed through clenched teeth.

Full Review Source: Village Voice | comment Comment
10/15/02
Melissa Anderson
Village Voice
Top Critic Icon Top Critic

It won't be the smoothest ride you'll ever take on the cinematic reservation, but those who have traveled the washboards will understand that this film is the 'real deal.'

Full Review Source: Old School Reviews | comment Comment
10/08/02
John A. Nesbit
Old School Reviews

A blazing performance by Evan Adams.

Full Review Source: Planet Sick-Boy | comment Comment
10/04/02
Jon Popick
Planet Sick-Boy

Parts are nice, but it lacks an overall cohesiveness. The Interviewer segments don't work on any level.

Full Review Source: TheMovieChicks.com | comment Comment
09/13/02
Cherryl Dawson and Leigh Ann Palone
TheMovieChicks.com
 
 
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