A provocative work about sexual politics in the corporate world.
The Business of Strangers (2001)
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Reviews Counted:91
Fresh:73
Rotten:18
Average Rating:6.6/10
Consensus: The Business of Strangers showcases a complex, compelling performance by Channing. Her interactions and clashes with Stiles make for riveting viewing.
Theatrical Release:Dec 7, 2001 Limited
Box Office: $495,907
Synopsis: Stockard Channing turns in a nuanced performance as Julie, a simmering corporate drone who has sacrificed family life for power and control. At an out-of-town business presentation, her assistant... Stockard Channing turns in a nuanced performance as Julie, a simmering corporate drone who has sacrificed family life for power and control. At an out-of-town business presentation, her assistant Paula (Julia Stiles) arrives forty-five minutes late, and, in a fit of rage, Julie fires her on the spot. That afternoon, the CEO of Julie's company informs her that she's been promoted--she'll be taking his position. In the mood to celebrate, Julie heads to the hotel bar where, to her surprise, she encounters Paula. Julie wants to make amends; Paula is cool but willing. The two hit it off and spend the rest of the evening palling around the hotel. When Julie's headhunter Nick (Frederick Weller) shows up unexpectedly, things get interesting. Paula tells Julie that he raped her friend in Boston and so the two plot revenge to teach him a lesson. The rest is a study in debauchery that leaves Julie unsure of herself. Stiles and Channing play smoothly off each other, slowly tightening the screws to win control. The outward coolness of the characters is reflected in the even tracking shots, but the tension between them is reflected in the mise-en-scene, becoming more cramped and claustrophobic as the picture unfolds. [More]
Starring: Stockard Channing, Julia Stiles, Fred Weller
Starring: Stockard Channing, Julia Stiles, Fred Weller
Director: Patrick Stettner
Director: Patrick Stettner
Screenwriter: Patrick Stettner
Producer: Susan A. Stover, Robert Nathan
Composer: Alexander Lasarenko
Studio: IFC Films
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Reviews for The Business of Strangers
Smart, subtle, and deliciously vindictive, this is taut theater with a current of nerve-wracking tension.
Powerful performances from Stockard Channing and Julia Stiles are saddled with a slow-developing story.
Plays largely like a performer's showpiece, with all the showboating and not so surprising character twists that entails, but Stettner comes out the other end with a pleasantly modest and satisfying revelation.
Stockard Channing submerges herself in layers of psychological debris as an aging, pinched corporate crocodile.
This is an impressive debut for Stettner and an even more impressive showcase for Channing and Stiles.
Channing's brittle performance ... makes this drama well-worth a stopover.
A highly charged drama that contains some incisive insights about working women, the corporate world, power, and sexual politics.
Feels contrived despite the worthy contributions of Channing and Stiles.
It does at least float a few ideas worth discussing, and it's kept interesting by the powerful performances of Channing and Stiles.
Paula hijacks the male's prurient interest in hot lesbian action and Julie, ever the political chameleon, falls right in step
Patrick Stettner’s female workplace drama has nowhere to go but down once its cards have been thrown down on the table
This is a stunning examination of issues of doubt and control, as well as a cracking good little thriller.
If The Business of Strangers clunks as a whole, at least several of its parts offer momentary pleasures.
Intelligently addresses provocative issues... with two electrifying actresses.
Stettner’s vision of both women lacks fullness, relying on stereotypes of feminine strength and vulnerability.
Channing and Stiles are the right choices for these roles. They zero in on each other like heat-seeking missiles.
Channing and Stiles share an appropriately uneasy chemistry together.
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