Café de Flore (2012)
Average Rating: 6.4/10
Reviews Counted: 50
Fresh: 31 | Rotten: 19
No consensus yet.
Average Rating: 6.7/10
Critic Reviews: 14
Fresh: 7 | Rotten: 7
No consensus yet.
liked it
Average Rating: 3.8/5
User Ratings: 3,477
My Rating
Movie Info
Cafe de Flore is a love story about people separated by time and place but connected in profound and mysterious ways. Atmospheric, fantastical, tragic and hopeful, the film chronicles the parallel fates of Jacqueline, a young mother with a disabled son in 1960s Paris, and Antoine, a recently divorced, successful DJ in present day Montreal. What binds the two stories together is love - euphoric, obsessive, tragic, youthful, timeless love. -- (C) Official Site
Nov 2, 2012 Limited
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- Official Site
Cast
-
Vanessa Paradis
Jacqueline, Mother -
Kevin Parent
Antoine, DJ -
Hélène Florent
Carole -
Evelyne Brochu
Rose -
Martin Gerrier
Laurent -
Alice Dubois
Véronique -
Evelyne De La Cheneliere
Amélie -
Michel Dumont
Julien Godin -
Linda Smith
Louise Godin -
Joanny Corbeil-Picher
Juliette -
Rosalie Fortier
Angéline -
Michel Laperrière
Psychologist -
Caroline Bal
Véronique's Mother -
Nicolas Marie
Véronique's Father -
Pascal Elso
Paul -
Jerome Kircher
Louis -
Claire Vernet
Mrs. Labelle -
Manon Balthazard
School Teacher -
??mile Vallée
Antoine (14 years old) -
Chanel Fontaine
Carole (14 years old) -
Valérie Beaugrand-Champag...
Medium -
Jean-Marc Vallée
Le voisin -
Emile Vallee
Antoine (14 years old)
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All Critics (50) | Top Critics (14) | Fresh (31) | Rotten (19)
A forgettable film.
It's terribly long and repetitive for so delicately dreamy a diptych, and at times the modern-day story feels like little more than a drawn-out apologia for the wandering male gaze.
Goes from intriguing to irritating.
Feels less like a movie than like a cinematic jigsaw puzzle whose agitation undermines the very continuity it wants to portray.
Decade-hopping metaphysical romance descends into overwrought histrionics.
This mushy, mystical French-Canadian melodrama tries to make parallel a pair of love stories: one between preteens with Down syndrome in 1969 Paris, and the second between a Quebecois DJ and his new amour some 40 years later.
An intriguingly unconventional drama that revels in dreamy interludes, stream-of-consciousness montages and weighty drama - but that never lives up to its stylistic promise.
The cumulative effect is more tedious than profound.
As abstract as the film is in theory, it is brought together with the conclusiveness of finishing a puzzle with no missing pieces.
Affectionate, sexy, thought-provoking, devastating, beautiful, bittersweet, life-affirming... Cafe de Flore is all that, and more. See it, listen to it, believe it.
Jean-Marc Vallée deploys a pretty sweeping arsenal of clichés in shoving his camera through the characters' streams of consciousness.
A moving drama about how love is refined through troubles in the lives of a devoted mother in 1969 Paris and a middle-aged man in 2011 Montreal.
Acting and soundtrack are spot-on but the frequent jump-cuts and lack of a compelling comparison between families work against the film's success.
An overlong film that half works.
A well-acted, visually arresting and artfully structured romantic endeavour.
Think of a fusion of The Diving Bell and the Butterfly, Crash, The Lovely Bones and The Tree of Life.
Haunting and heartbreaking, director Jean-Marc Vallée's romantic drama is an electrifying multilayered experience.
The double-barrelled plot demonstrates great imagination. It's a shame that it amounts to so little.
The French story is fascinating and beautifully acted, the French-Canadian one is romantic daytime TV drivel, and the links between them - mystic, metaphysical, musical - do not lead towards resonance or enlightenment.
Audience Reviews for Café de Flore
I am still reeling from this thing, three hours later. What starts as two seemingly separate, simple stories about love, takes a very dark, spiritual turn, and in the process, explores "love" in its many forms.
I say two simple stories in relation to where the story goes, but they aren't simple by any means.
It almost feels wrong to call the raw, incredible compassion shown by Jacqueline to her Down Syndrome son, Laurent "acting". Vanessa Paradis is outstanding as a mother who has given all her love and devoted her life to her son, expecting nothing less than the same in return. The introduction of Vero, and Laurent's "I love her like I love you" sets things unravelling.
The present day story is equally compelling, and thematically parallel in its telling of Carole, a woman like Jacqueline, who has only ever loved one person, but loses him to another, and cannot move on. They both still reminisce, and the way this whole film is edited, switching effortlessly between tones, stories and timeframes, is rather brilliant! Joyful, motherly love to a lost teen romance to the increasingly dark visions of Carole, that consistently unsettled me.
In the short time I've had to process this, I've thought about the ending in a couple of different ways. I didn't know what to make of it at first, then felt the film would have worked just fine without connecting of the two storylines from a narrative perspective, bar Carole's visions.
Then I thought about it again, and what Carole's "sorry" to Antoine meant. This is a Carole that has come to terms with the connection, and what she did as Jacqueline to Laurent and Vero. This Carole has finally let go, understanding that love is sadly not 1:1.
I'd be amiss not to mention the soundtrack. It's probably my favourite of the year to date. The characters, especially Laurent, and his reincarnate, Antoine, are linked via the track 'Cafe de Flore'. Music means a lot to these two, translating naturally to the importance the soundtrack has to the audience.
The experience of being challenged by cinema is one I thoroughly enjoy. This is not easy going, but it's damn rewarding.
Super Reviewer
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Foreign Titles
- Café de Flore (DE)
- Café de flore (UK)










Top Critic
Vallee is certainly ambitious director and storyteller when it comes to his two parallel stories between present day and 60's Paris. At first we in the audience do not know how these two stories are actually linked, but when it finally becomes clear the answer is just utterly ridicilous and nonsense.
This film clearly aims to please so called art-house audiences, but in the end it just feels more like an parody of an art-film. Vallee is much more interested in his visual stylistics than his thinly plotted screenplay.
Film's biggest strenght is the story about mother and her disabled son living in 60's Paris. Actress Vanessa Paradis has power and talent to make her single parent feel quite complex and authentic character with many interesting nuances. Same cannot be said from rest of the cast whose stories and characters are way too thin to be nothing to get interested in.
Mixing hallucinatory images with dreamlike story structure only drowns this film into it's own artsy aesthetics. Cafe de Flore is a brave attempt from it's director, but in the end it is just film filled with silly mumbo jumbo about reincarnation, dreams and life itself. All this with annoying overuse of constantly pounding soundtrack.