he two actors' inventive, improvized banter is a treat, and they are ably supported by Prentiss and Welles, both given room and encouragement to make their mark by the director.
California Split (1974)
Tomatometer
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Reviews Counted:11
Fresh:10
Rotten:1
Average Rating:7.3/10
Runtime: 1 hr 45 mins
Genre: Dramas
Synopsis: Bill (George Segal) doesn't have much to lose; he's recently single and will soon be unemployed. He meets his pal Charlie (Elliott Gould) in an LA card house, and the two pair up when they find... Bill (George Segal) doesn't have much to lose; he's recently single and will soon be unemployed. He meets his pal Charlie (Elliott Gould) in an LA card house, and the two pair up when they find they make an excellent gambling team. The two embark on a breakneck gambling spree, beginning at Charlie's apartment that he shares with two hookers, then progressing to the racetracks and bars of LA, and onto the casinos of Reno. This narratively-loose comedy uses the real inhabitants of the gambling underworld as characters, and the final product is an episodic construction of random occurrences that are by turns trivial, weighty, and amusing. This impression of disconnection is underscored by director Robert Altman's characteristically layered, rich sound, which creates a chaotic and authentic feel. Segal and Gould turn in believable performances as reckless compulsive gamblers whose thirst to win takes them all the way to the poker table of the legendary champion Amarillo Slim. [More]
Starring: George Segal, Elliott Gould, Ann Prentiss
Starring: George Segal, Elliott Gould, Ann Prentiss
Director: Robert Altman
Director: Robert Altman
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Reviews for California Split
A film such as this, which is essentially a series of comic vignettes without a plot, depends upon its performances, and both Gould and Segal are in top form.
Robert Altman's masterful 1974 study of the psychology of the compulsive gambler.
Adding emphasis on the homo-ness of their lucrative bond are the repeated instances where the interference of women breaks both their concentration and their hot streaks.
Nothing enhances Altman's visual-aural density like the bustle of poker circles, race tracks, boxing rings
Altman feels rather than thinks his way into a subject, with a special interest in how people relate to one another in moments of crisis.
Sold as a comedy, the film scans more like American-century Dostoyevsky, with comp cocktails.
What Altman comes up with is sometimes almost a documentary feel; at the end of California Split we know something about organized gambling in this country we didn't know before.
...the big thing holding back American movies is that they aren't more like California Split.
The film is technically and physically handsome, all the more so for being mostly location work, but lacks a cohesive and reinforced sense of story direction.
A fascinating, vivid movie, not quite comparable to any other movie that I can immediately think of. Nor is it easily categorized.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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