The sound is terrific, the rhythms infectious and the artistic passions palpable. We wager that you'll leave this one looking for the nearest place to nab the soundtrack.
Calle 54 (2001)
Tomatometer
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Reviews Counted:48
Fresh:42
Rotten:6
Average Rating:7.2/10
Consensus: A loving tribute to Latin Jazz artists where music does the talking.
Runtime: 1 hr 46 mins
Genre: Musical & Performing Arts
Theatrical Release:Oct 20, 2000 Limited
Synopsis:
From acclaimed Academy Award winning director Fernando Trueba ("Belle Epoque"), comes a journey of the senses that crosses four continents in search of the heart and soul of Latino culture. Using...
From acclaimed Academy Award winning director Fernando Trueba ("Belle Epoque"), comes a journey of the senses that crosses four continents in search of the heart and soul of Latino culture. Using the worldwide phenomenon of Latino music as its entrée, Trueba seeks out the heroes of this culture and reveals how their music has become a vehicle for protest, storytelling, sexuality, and most of all, the sheer joyful celebration of life.
Turning his film into an innovative tapestry of sound and imagery, Trueba mixes "snapshots" of Latino music's legendary masters (captured in digital video) with intimate in-studio live performances photographed by a battery of five 35 mm cameras and a Steadicam in a style that matches the mood and story of each song.
Among the cultural heroes whose stories and artistry he brings to the fore are: the godfather of Latino music, Tito Puente; cutting edge nuyorican Jerry Gonzáles who mixes his Puerto Rican roots with his New York street experience; Spaniard Chano Domínguez who married the clicking-heel spirit of Flamenco with jazz; barefoot Brazilian pianist Eliane Elías; Chico O'Farrill, a major architect of the Afro-Cuban movement; Cachao, the elder statesman of the acoustic bass brought out of near-obscurity by Andy Garcia; the pianists Bebo Valdes and his son Chucho Valdés, reunited for a live duet; the Argentinean tenor sax Gato Barbieri, Grammy winner for the "Last Tango in Paris" soundtrack; Paquito D'Rivera, heir to Dizzy Gillespie's orchestra and according to Dizzy one of the musicians who plays true Latin Jazz, interpreting the music of all the Americas; Michel Camilo the freewheeling Latin jazz master of the Dominican Republic; rumba authority and Santeria priest Orlando "Puntilla" Ríos; and more.
CALLE 54 will feature performances of new material never before recorded. But the film isn't only about the music, it's about the beats of the heart behind the music and what it inspires in people around the world. -- © 2001 Miramax
Starring: Chucho Valdes, Gato Barbieri, Tito Puente, Eliane Elias
Starring: Chucho Valdes, Gato Barbieri, Tito Puente, Eliane Elias, Chico O'Farrill, Michel Camilo, Paquito D'Rivera, Bebo Valdes, Chano Dominguez, Israel Lopez, Orlando "Puntilla" Rios, Carlos "Patato" Valdes, Andy Gonzalez, Marc Johnson, Mario Rivera, Dave Samuels, Dave Valentin, Giovanni Hidalgo, Hilton Ruiz, Horacio Hernandez, Milton Cardona, Steve Berrios
Director: Fernando Trueba
Director: Fernando Trueba
Screenwriter: Fernando Trueba
Producer: Fabienne Servan Schreiber, Fernando Trueba, Rosa Bosch
Studio: Miramax Films
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Release:
Nov 13, 2001
Reviews for Calle 54
Lacking the narrative didacticism of a documentary, Calle 54 functions more as Trueba's celluloid top-ten list of favorite Afro-Cuban musicians, captured lovingly in warmly-lit studio performances.
It is easy to imagine Calle 54 having a long shelf life on home video after its run in theaters. It can be played over and over again with increasing satisfaction.
A loving Buena Vista Social Club -style hymn to the rhythm and life of salsa.
Calls attention to deserving musicians, but in an oddly cautious style that would fit comfortably onto a PBS fund drive.
Calle 54 could make you feel hot, nostalgic and possessive about this music.
For much of its 105 minutes, it simply sizzles with sophisticated passion.
Descriptions of great art are, of course, ultimately irrelevant, and Trueba knew we'd have to experience his passion for ourselves. He's offering a dazzling invitation -- take him up on it.
The film is such a pure expression of the director's love for the music, a love so infectious it should leave you elated.
It's precisely what a Latin jazz aficionado would want, and what would lead a novice to an affection for the genre.
This is one fan's valentine to the music he loves. It just happens that the fan is a terrific filmmaker and the music loves him back.
A festive experience for those who are willing to embrace Latin jazz, but it doesn't reveal anything beyond a peek at a two hour celluloid concert in session.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
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