Average Rating: 7.3/10
Reviews Counted: 9
Fresh: 8 | Rotten: 1
No consensus yet.
Average Rating: N/A
Critic Reviews: 3
Fresh: 2 | Rotten: 1
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Average Rating: 4/5
User Ratings: 2,327
In this political satire from Poland, Jerzy Stuhr plays Filip, a factory worker who, after the birth of his first child, buys an 8mm movie camera to record his daughter's first few years on film. Before long, Filip is happily obsessed with his new hobby, and he graduates from simply capturing his daughter's activities to photographing practically everything around him. His movie mania attracts the attentions of his boss, who gives him a new task: making films that will give outsiders a clearer
R, 1 hr. 52 min.
Oct 3, 1980 Wide
Aug 17, 2004
All Critics (11) | Top Critics (3) | Fresh (9) | Rotten (1) | DVD (5)
Much of the film means to be uproariously emotional, but the events we see seldom justify all the overwrought reactions.
Suffused with Kieslowski's dry wit and intelligence, this early feature provides an excellent introduction to his work.
While Camera Buff lacks some of the artistry evident in the director's later projects, it's worth seeing not only as an example of Kieslowski's early work, but as an important film in its own right.
Kieslowski lays the foundation of robust realism and takes off in a search for transcendence
A modest metaphorical examination of the problems and pressures suffered by artists in semi-authoritarian societies, the picture won the grand prize at the 1977 Moscow Film Festival.
A must-see for all film school students
Clearly a bit of navel-gazing on Kieslowski's behalf; in fact, the film is self-deferential to an almost painful degree
As one character puts it, "filmmakers are service providers," and despite the unromantic tone of such a designation, this seems to be very near to Kieslowski's own view.
This is a political spoof on the limits of the artist's role in Communist Poland.
What a fantastic film about the artist's journey and the desire for something more than mere "tranquility." While this is my first Kieslowski film, this seemed to be a good place to start as it illuminates Kieslowski's own passion and perfectly encompasses the power & consequences of film. While I would have liked to
February 15, 2011Super Reviewer
Remarkably insightful film by Kieslowski on film making, family and the affect art has on the world.
July 24, 2007Super Reviewer
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